Laura Engelstein is Henry S. McNeil Professor of History at Yale University. She is author of The Keys to Happiness: Sex and the Search for Modernity in Fin-de-Si'cle Russia and coeditor, with Stephanie Sandler, of Self and Story in Russian History, both from Cornell.
"Scholarly and unsensational ... Ms. Engelstein presents us with some remarkable pictures."-Jasper Griffin, The New York Review of Books "This is a remarkable book about a remarkably extreme group of people... Engelstein's account of the Skoptsy encounter with modernity is robust and sure-footed."-Dan Healey, Journal of Early Modern History, Vol. 5, Issue 3 "Laura Engelstein has written a masterful and engaging history of the Skoptsy, the strangest Russian sectarian group in the modern era... Engelstein lifts the mystery surrounding this group by taking her readers inside the minds of believers who mutilated their bodies for the sake of eternal salvation... The book is well written, at times reading like a Russian folktale... Overall, this study makes an important contribution to our knowledge of Russian religious history. It also is a fine example of the application of cutting-edge historical methods on society, literature, and culture to religious history."-Church History, December 2000 "Engelstein is a shrewd and perceptive interpreter of the Skoptsy story... A substantial contribution to the study of Russian history and culture, ... the book is also a meditation on the human condition and the human search for meaning."-Barbara Alpern Engel, The Russian Review, Vol. 59, No. 3. "Engelstein's interpretation of the Skoptsy phenomenon is intellectually evocative but hardly exhaustive... The book can be recommended for graduate courses on cultural and social history of Russia... It is free from the esoteric jargon of many cultural histories."-Irina Korovushkina Paert, H-Russia, H-Net Reviews, June 2000 "Laura Engelstein has produced a rather spectacular second book on sex in Russia... Engelstein's new book on the topic of sex in Russia is much more complex and much more likely to be entered into the ranks of required books for all student of history... It is an extraordinary account of the 'archive' that she mines in order to tell their history... Cornell University Press is to be commended for designing this book so that the images and the text work elegantly together."-Sander L. Gilman, American Historical Review, December 2000 "Laura Engelstein's Castration and the Heavenly Kingdom adds significantly to the literature on Russian sects and to the field of sociosexual behavior. Exploiting unique Russian judicial sources, she gives us these sectarians in their own words as they move from secrecy in the early nineteenth century to self-advertisement in the early twentieth century. Engelstein's tales form a lush tapestry of a traditional sect awkwardly coming to terms with modernity."-Richard C. Trexler, Binghamton University "This book tells a fascinating story of the most stigmatized religious dissidents in Russia and, in doing so, illuminates important current debates on identity, group solidarity, the maintenance of cultural boundaries and norms, and the consequences of social and cultural transgression. Laura Engelstein's authorial voice, thorough contextualization of her sources, and framing of her arguments leave no doubt about her mastery of the issues driving the most fruitful social and literary theory."-David Ransel, Indiana University
"Scholarly and unsensational ... Ms. Engelstein presents us with some remarkable pictures."-Jasper Griffin, The New York Review of Books "This is a remarkable book about a remarkably extreme group of people... Engelstein's account of the Skoptsy encounter with modernity is robust and sure-footed."-Dan Healey, Journal of Early Modern History, Vol. 5, Issue 3 "Laura Engelstein has written a masterful and engaging history of the Skoptsy, the strangest Russian sectarian group in the modern era... Engelstein lifts the mystery surrounding this group by taking her readers inside the minds of believers who mutilated their bodies for the sake of eternal salvation... The book is well written, at times reading like a Russian folktale... Overall, this study makes an important contribution to our knowledge of Russian religious history. It also is a fine example of the application of cutting-edge historical methods on society, literature, and culture to religious history."-Church History, December 2000 "Engelstein is a shrewd and perceptive interpreter of the Skoptsy story... A substantial contribution to the study of Russian history and culture, ... the book is also a meditation on the human condition and the human search for meaning."-Barbara Alpern Engel, The Russian Review, Vol. 59, No. 3. "Engelstein's interpretation of the Skoptsy phenomenon is intellectually evocative but hardly exhaustive... The book can be recommended for graduate courses on cultural and social history of Russia... It is free from the esoteric jargon of many cultural histories."-Irina Korovushkina Paert, H-Russia, H-Net Reviews, June 2000 "Laura Engelstein has produced a rather spectacular second book on sex in Russia... Engelstein's new book on the topic of sex in Russia is much more complex and much more likely to be entered into the ranks of required books for all student of history... It is an extraordinary account of the 'archive' that she mines in order to tell their history... Cornell University Press is to be commended for designing this book so that the images and the text work elegantly together."-Sander L. Gilman, American Historical Review, December 2000 "Laura Engelstein's Castration and the Heavenly Kingdom adds significantly to the literature on Russian sects and to the field of sociosexual behavior. Exploiting unique Russian judicial sources, she gives us these sectarians in their own words as they move from secrecy in the early nineteenth century to self-advertisement in the early twentieth century. Engelstein's tales form a lush tapestry of a traditional sect awkwardly coming to terms with modernity."-Richard C. Trexler, Binghamton University "This book tells a fascinating story of the most stigmatized religious dissidents in Russia and, in doing so, illuminates important current debates on identity, group solidarity, the maintenance of cultural boundaries and norms, and the consequences of social and cultural transgression. Laura Engelstein's authorial voice, thorough contextualization of her sources, and framing of her arguments leave no doubt about her mastery of the issues driving the most fruitful social and literary theory."-David Ransel, Indiana University
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