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Gregory Curtis is the author of Disarmed: The Story of the Venus de Milo. He was the editor of Texas Monthly from 1981 until 2000. His writing has appeared in The New York Times, The New York Times Magazine, Fortune, Time, and RollingStone, among other publications. A graduate of Rice University and San Francisco State College, he lives with his wife in Austin, Texas.
For centuries, people have been going into caves in France and Spain, looking at the 30,000-year-old pictures painted there and asking, "What can they be?" In this lively survey, Curtis, former Texas Monthly editor, makes it clear that while we'll never have a definitive answer, the quest will always be fascinating. He begins by laying out who the painters probably were and what their world was like during the waning days of Neanderthals. Then he dives into the caves and the bitter controversies on the art within, from the war of ideas between Marcelo Sautuola and Emile Cartailhac in the late 19th century to Jean Clottes's and David Lewis-Williams's current, strongly disputed theory that the paintings are related to shamanic quests. Curtis's own speculation is sometimes more arguable than believable, but usually intriguing. He bolsters a slim number of illustrations with concise descriptions that convey his own delight, befuddlement, frustration and awe. At the cave Les Tres-Fr?res, he is overwhelmed by the images and by being "as close as I would ever be physically close to The Truth." For readers who may never visit the caves, Curtis's sensitive narration gives a chance to share that encounter with mystery. 20 b&w illus. and 8-page color insert. (Oct. 13) Copyright 2006 Reed Business Information.
"Fascinating. . . . We will be arguing about these glorious creations for many years to come." The Washington Post Book World"The beauty of the cave art moves Curtis deeply, and his writing preserves that passionate response." Seattle Times Curtis is a good storyteller, and he has good stories to tell about eccentrics of all sorts. The Christian Science Monitor A fascinating survey of the rival theories. . . . [Readers will be] swept up in the beauty of the cave paintings and the persuasive pull of his prose. Richmond Times-Dispatch"