Richard Russo is the author of eight previous novels, two collections of stories, a collection of essays and the memoir On Helwig Street. In 2002 he received the Pulitzer Prize for Empire Falls, which like Nobody's Fool was adapted to film, in a multiple-award-winning HBO miniseries; in 2016 he was given the Indie Champion Award by the American Booksellers Association; and in 2017 he received France's Grand Prix de Litterature Americaine. He lives in Portland, Maine.
Cleverly paced, Russo's latest novel folds page-turning suspense
into an unhurried, warmly observed portrait of friendship in later
life.
*Mail on Sunday*
His stories are omnisciently narrated in a tone of sardonic
understanding of human folly, which places him in the house of
American style on a polished mezzanine between John Updike and Anne
Tyler...Chances Are, a rare mix of the tense and tender, should
gain Russo further literary acclaim.
*Guardian*
There's much to enjoy in Richard Russo's typically nuanced portrait
of three childhood friends...[a] fine-grained exploration of
troubled, small-town masculinity...Russo's prose is so quietly
melodious you can almost hear it singing.
*Daily Mail*
An eloquent excavation of long-buried secrets.
*Observer*
totally engrossing...Humane and beautifully crafted, it provides
further compelling evidence of Russo's prestige as a contemporary
American writer.
*Sydney Morning Herald*
...chances are awfully good that you'll lap up this gripping, wise
and wonderful summer treat.
*Boston Globe*
Pulitzer Prize-winning novelist Richard Russo balances suspense
with comedy in this gripping tale.
*Time*
Richard Russo is often compared to Dickens, to whom he clearly owes
a debt, but the ghost hovering over his fabulous new novel, Chances
Are, feels more like Sam Shepard...Next to Colson Whitehead's new
book, there's not a better paced summer read
*Literary Hub*
...blends everything we love about this author with something
new...Vintage Russo...No one understands men better than Russo, and
no one is more eloquent in explaining how they think, suffer and
love.
*Kirkus (starred review)*
Russo's hallmark themes - the intricacy of male friendships,
one-sided love, the collision of the past with the present - are on
full display
*New York Times*
...a brisk story with memorable characters and smart things to say
about loss and missed opportunities.
*Minneapolis Star Tribune*
...there's heart and beauty on every page.
*USA Today*
Richard Russo can write like Edith Wharton leavened with a touch of
David Lodge.
*The Economist*
A writer of great comedy and warmth, Russo's living proof that a
book can be profound and wise without aiming straight into
darkness.
*USA Today*
Perhaps if it was pointed out that here was a US writer who stood
somewhere between Anne Tyler at her darkest and Russell Banks, with
an occasional hint of Richard Ford at his least bleak, perhaps
Russo would become as widely read as he deserves to be.
*Irish Times*
No one writing today captures the detail of life with such stunning
accuracy.
*Annie Proulx*
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