Table of Contents

Series Introduction Notes on Contributors Timeline Introduction (Mark Hutchings, University of Reading, UK) 1 The Critical Backstory (Sara D. Luttfring, Penn State Erie, The Behrend College, USA) 2 A Performance History (Jennifer Panek, University of Ottowa, Canada) 3 State of the Art (Patricia Cahill, Emory University, USA) 4 New Directions: 'Embodied Theatre in The Changeling' (Peter Womack, University of East Anglia, UK) 5 New Directions: 'Doubles and Falsehoods: The Changeling's Spanish Undertexts' (Berta Cano-Echevarría, University of Valladolid, Spain) 6 New Directions: 'Performing The Changeling, 2006-15' (Sarah Dustagheer, University of Kent, UK) 7 New Directions: 'Loving and Loathing: Horror in The Changeling from Text to Screen' (Nathalie Vienne-Guerrin, Université Paul-Valéry Montpellier 3, France) 8 Resources (Nora Williams, Independent scholar) Notes Select Bibliography Index

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A collection of critical essays ideal for undergraduate students and scholars and teachers of The Changeling.

About the Author

Mark Hutchings is Lecturer and Programme Director for the Department of English Literature,University of Reading, UK.