AcknowledgmentsIntroduction (Dina Sherzer)1. Imperial Frame: Film Industry and Colonial Representation (Martine Astier Loutfi)2. Split Screens: La Maison du Maltais as Text and Document (Steven Ungar)3. Whither the Colonial Question? Jean Renoir's The River (Nandi Bhatia)4. Regarding Rouch: The Recasting of West African Colonial Culture (Paul Stoller)5. Le Colonial Feminin: Women Directors Interrogate French Cinema (Catherine Portuges)6. Empire as Myth and Memory (Naomi Greene)7. Filmic Memorial and Colonial Blues: Indochina in Contemporary French Cinema (Panivong Norindr)8. Third Cinema or Third Degree: The "Rachid System" in Serge Meynard's L'Oeil au beurre noir (Mireille Rosello)9. Decolonizing Images: Soleil O and the Cinema of Med Hondo (Madeleine Cottenet-Hage)10. Post-Tricolor African Cinema: Toward a Richer Vision (John D. H. Downing)11. Race Matters and Matters of Race: Interracial Relationships in Colonial and Postcolonial Films (Dina Sherzer)About the AuthorsIndex
DINA SHERZER is Professor Emerita of French and Italian and Comparative Literature at University of Texas at Austin.