Acknowledgements
Introduction
Margaret Harkness: A Brief Chronology
A Note on the Text
A City Girl
Appendix A: Contemporary Reviews of A City Girl
From “Novels of the week,” The Athenaeum (30 April 1887)
“A City Girl: a Realistic Story,” The Spectator (31 March 1888)
“Publisher’s Corner,” Our Corner (August 1887)
From “Novels and Stories,” The Glasgow Herald (14 May 1887)
From “New Books and Reviews,” The Sheffield Daily Telegraph (11 May 1887)
From “Metropolitan Gossip,” The Belfast News-Letter (22 May 1887)
Letter, Friedrich Engels to Margaret Harkness (from Engels: Correspondence January 1887–July 1890)
Appendix B: Other Writings by Margaret Harkness/John Law
“Girl Labour in the City,” Justice (3 March 1888)
“Salvationists and Socialists,” Justice (24 March 1888)
From In Darkest London (1891)
Appendix C: The East End in Late-Victorian London
From Andrew Mearns, The Bitter Cry of Outcast London (1883)
From The Diary of Beatrice Webb, vol. I (11 April 1888)
From Jack London, “Those on the Edge,” People of the Abyss (1903)
Appendix D: Reform Initiatives for East End Women
From Lady Mary Jeune, “Helping the Fallen,” Fortnightly Review (1 November 1885)
Margaret E. Harkness, “The Match Girls’ Strike,” The Spectator (21 July 1888)
From Captain William Booth, “A New Way of Escape for Lost Women: The Rescue Homes,” In Darkest London and the Way Out (1890)
Eleanor Marx, Speech on May Day (4 May 1890)
Appendix E: Fallen Women in Late-Victorian Fiction
From George Gissing, The Unclassed (1884)
From Ella Hepworth Dixon, The Story of a Modern Woman (1894)
Arthur St. John Adcock, “The Soul of Penelope Sanders,” East End Idylls (1897)

About the Author

Tabitha Sparks is Associate Professor of English at McGill University.

Reviews

“A surprising Broadview decision to publish the slum novella A City Girl, by the socially aware Margaret Harkness, has produced an important edition, brilliantly edited by Tabitha Sparks. The story is filled with clichés, yet contains unique descriptions of grim, for-profit tenements, written in an intimate, non-partisan tone. What rivets attention is the volume as a whole, not only the expected but wonderful contemporary reviews but also pieces by Friedrich Engels—a fascinating response written to Harkness herself—Eleanor Marx, Jack London, Beatrice Potter, and others. Taken together, A City Girl, Broadview edition, offers much more than supplements to Harkness’s competent story; with satisfying richness, it opens a teeming vista onto the impoverished world of the story. This is a book not only for students but also for all nineteenth-century buffs interested in darkest London, the title of a later Harkness fiction.” —Adrienne Munich, Stony Brook University, Co-Editor, Victorian Literature and Culture

Table of Contents

About the Author

Reviews