Table of Contents

Introduction; Chapter 1 From Scaffold to Cinema: Violence as a Force of Subjection and Subjectivation; Chapter 2 Violence and Clinical Authority in ‘The Aetiology of Hysteria’ and The Cabinet of Dr. Caligari; Chapter 3 Violence and the Passage from Responsibility to Desire in The Sheik; Chapter 4 The Death of Popular Sovereignty in Once Upon A Time In The West; Chapter 5 Deliverance and its Uses: Subjectivity, Violence and Nervous Laughter; conclusion Conclusion: Gender and Pervasive Violence;

About the Author

David Hansen-Miller is a London based freelance researcher working in the non - profit sector. He completed his PhD in English Literature at Queen Mary College, University of London and has taught widely in Cultural Studies, Gender Studies and Sociology, most recently at Lancaster University.

Reviews

'Hansen-Miller successfully brings contemporary philosophies of governmentality and biopolitics to bear on cinematic representations of violence. The result is conclusive: that cinema has throughout its history engaged in processes of subjection and subjectification through violence. By showing us this, Civilized Violence lifts the veil on cinematic representations of violence.' Richard Rushton, Lancaster University, UK 'Civilized Violence confronts the question of the attraction of the spectacle of violence in contemporary cinema in a completely fresh way. Instead of asking what the appeal of violence is Hansen-Miller asks how it works and in doing so provides cinema studies with a powerful new account of the relation between cinema and society.' Ian Buchanan, Cardiff University, UK 'This beautifully written book offers a brilliant diagnosis of our changing psychic and social investments in violent representations. Moving between sociology, film studies and feminist theory to demonstrate the centrality of gendered subjectification to our fascination with violence, this is interdisciplinary research at its very best: lucid, incisive and utterly persuasive.' Jackie Stacey, University of Manchester, UK 'Civilized Violence draws on a solid theoretical framework, built mainly on Foucault, and enters into productive dialogue with existing literature on the films. This frame allows for a fruitful and nuanced discussion of the cultural function of cinematic violence across the twentieth century. The book incorporates detailed textual analysis, a discussion of popular and critical reception of the central films and in-depth consideration of the broader social, historical and cultural contexts in which the films were produced... Civilized Violence is stylishly written, well structured and logically set out... it makes an important contribution to contemporary understandings of on-screen violence. Moving beyond simplistic notions of cinema violence as satisfying supposedly innate, primal needs, Hansen-Miller's work represents a significant advancement in scholarship on media violence.' Media International Australia