Introduction Chapter One: ‘Pictures Seem to Run in Cycles’: Industry Discourse and the Economics of Cycles Chapter Two: The Girl Reporter Pictures: Programmer Cycles and Modes of SerialityChapter Three: The Prestige Cycle of Historical Biopics: Measuring the DelugeChapter Four: The Wartime Musical Revues: Cycles, Topicality and Industrial Flux Chapter Five: The Anti-Prejudice Pictures and the Process of Cycles Chapter Six: The Biblical Epics: Blockbuster Cycles and Market Control in the ‘New Era’ Chapter Seven: Beach Party Pictures: Independent Production, Circulation and Market Exploitation Chapter Eight: Conclusion: Cycles in Post-Classical Hollywood
Zoe Wallin is a Research Associate in the Department of Screen and Media at Flinders University, South Australia.
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