Introduction; Elizabeth Mannion.- 1.Hello Dálaigh; Nancy Marck Cantwell.- 2.A ‘honeycomb world’; Brian Cliff.- 3.‘Where No Kindness Goes Unpunished’; Charlotte J. Headrick.- 4.Detecting Hope; Andrew Kincaid.- 5.Negotiating Borders; Carol Baraniuk.- 6.‘The Place You Don’t Belong’; Fiona Coffey.- 7.Voicing the Unspeakable; Shirley Peterson.- 8.‘Irish by Blood and English by Accident’; Elizabeth Mannion.- 9.Quirke, The 1950s and Leopold Bloom; Audrey McNamara.
Elizabeth Mannion earned her PhD at Trinity College, Dublin. Her research and teaching cover an interdisciplinary range of Irish studies, from modern drama to contemporary crime fiction. Recent publications include The Urban Plays of the Early Abbey Theatre: Beyond O’Casey, as well as chapters in the forthcoming Shaw and the Making of Modern Ireland and A Cambridge History of Irish Working-Class Writing.
“The critical scholars chosen to contribute to the collection are
as diverse as the books examined, and this brings much to the
table. … The Contemporary Irish Detective serves as a powerful
tonic to those upset by poor service from the academic world.”
(Gerard Brennan, Breac - A Digital Journal of Irish Studies,
breac.nd.edu, June 19, 2019)“This collection of nine insightful
essays opens new ground and advocates for a more considered
appraisal of detective fiction, within Irish literary studies. Each
essay offers a broad overview of several texts, considering
reoccurring thematic issues across the series, rather than close
readings of a single novel. The range and scope covered by the nine
essays is commendable and a judiciously light theoretical emphasis,
the absence of elitist academic jargon, will warm even casual
readers to the analysis.” (John Singleton, Review of Irish Studies
in Europe – RISE, Vol. 2 (1-3), March, 2018)
“The collection of essays in The Contemporary Irish Detective Novel
proposes – and provides – an expansion of Irish Studies to include
also Irish detective fiction in a serious way. … As stated earlier,
I consider this anthology to be of interest to many readers, both
those interested in Irish studies, and those interested in crime
fiction generally. The chapters successfully combine and expand
both areas.” (Katarina Gregersdotter, Nordic Irish Studies, Vol.
16, 2017)
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