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The Conversations At Curlow Creek

New or Used: 4 copies from $7.50
The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is an officer of the police who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives, and learn new truths. Outside the hut, Adair's troopers sit uneasily, reflecting on their own pasts and futures, waiting for the morning to come. With ironic humour and in prose of starkly evocative power, the novel moves between Australia and Ireland to explore questions of nature and justice, reason and un-reason. , the workings of fate, and the small measure of freedom a man may claim in the face of death.
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'A strange, beautiful novel... It represents a deepening of Malouf's style, offering the reader greater intensity and confirming Malouf's position as one of the most exciting and uncompromising writers now producing novels in English' - Colm Toibin

About the Author

David Malouf is the internationally acclaimed author of novels including The Great World (winner of the Commonwealth Writers' prize and the Prix Femina Etranger), Remembering Babylon (shortlisted for the Booker Prize and winner of the IMPAC Dublin Literary Award), An Imaginary Life and his autobiographical classic 12 Edmondstone Street. His Collected Stories won the 2008 Australia-Asia Literary Award, and his recent story collections are the critically-acclaimed Dream Stuff and Every Move You Make. In 2008 Malouf was the Scottish Arts' Council Muriel Spark International Fellow. Born in 1934 in Brisbane, where he was brought up, he lives in Sydney.


Two men spend the night in a hut in the vast, bleak western highlands of Australia in 1827. One is a convicted felon, a captured member of a gang of outlaws working to foment a rebellion among the colony's oppressed natives. The other is his nemesis, an officer charged with hanging him at dawn. Through their halting conversations, the confluence of their very different lives takes on a mythic quality. Both are exiles from their native Ireland, though from different social strata. The prisoner, Daniel Carney, accepts his fate with stoic dignity, though he mourns the death of the leader of his band, a charismatic fellow known as Dolan. The military officer, Michael Adair, has reason to think that Dolan was really Fergus Connellan, his beloved boyhood friend and adoptive brother with whom he was raised on a beautiful estate. In a series of reflective flashbacks, Adair's relationship with Fergus is revealed, as well as Adair's love for Virgilia, a spirited young woman from a neighboring estate, who loves Fergus instead. Malouf relates his complex story slowly, with more interior monologues than direct action. The narrative acquires power as the deeply pessimistic Adair is forced to acknowledge the forces that have shaped his personality and that of his friends, and the consequences that now lie in wait. Malouf (The Great World; Remembering Babylon) raises existential questions about moral order and justice, depicts the contrast between rich and poor in Ireland and Australia and lyrically describes the landscapes of both countries and the spirits that abide there. The accretion of precise detail rewards the reader with resonating insights. And the surprising epilogue, with its two spiritual resurrections, offers a rich and satisfying denouement. Author tour. (Jan.)

Malouf may be best known for recently winning the largest literary prize given (the IMPAC Dublin Literary Award for Remembering Babylon, LJ 8/93), but he should be better known for his excellent prose. His new novel, set in 1820s New South Wales, concerns an illiterate convict and the policeman charged with his execution.

"The novel opens onto enchanted vistas- memories, dreams, intimations of tenderness and transcendence" -- Lucy Hughes-Hallett * Sunday Times * "A compelling and richly rewarding novel" -- Helen Dunmore * The Times * "Original and impressive" -- William Trevor "Exquisite and intriguing" -- Kate Figes * Elle *

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