Counterpoint, Composition and Musica Ficta

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1. Musica Recta and Musica Ficta 2. Pycard's Credo No. 76 3. Renaissance Counterpoint and Musica Ficta 4. Diatonic Ficta: Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica 5. Dicatonic Ficta Revisited: Josquion's Ave Maria in Context 6. Editing Early Music: The Dilemma of Translation 7. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor 8. Pycard's Double Canon: Evidence of Revision? 9. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications 10. Resfacta and Cantare super librum

About the Author

Margaret Bent is a Fellow of All Souls College, Oxford, and has been a key figure in the debates about late medieval and Renaissance music for nearly thirty years.

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About the Author