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1. Introduction: the task of the editor; 2. The nature of the musical source; 3. Musical sources and stemmatic filiation; 4. Errors, variants and editorial judgement: the establishment of the text; 5. The presentation of the text; 6. Conclusion: the posture of the editor; Epilogue; Appendices.
"Grier's book is welcome.... It is to be valued further for its insight into the nature of the editorial project and the close, distinctly non-tangential relationship the activity bears to the wider discipline of musicology. [Grier] has made an important and useful noise in an overly quiet field." Edward Harsh, Journal of Musicological Research