Table of Contents

Introduction 1. From the Streets to the Nightclub: Rita Montaner and Celeste Mendoza as Salsa Precursors 2. Celia Cruz: From La guarachera de Cuba to the Queen of Salsa 3. La Lupe: The Excessive Performance of Race and Gender 4. Crossing Over: Gloria Estefan's Performance of the/on the Hyphen 5. No se parece a nada/ Not Like Anything Else: Albita Rodríguez Bends the Rules Conclusion

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About the Author

Delia Poey is Associate Professor of Spanish at Florida State University, USA.

Reviews

"Taking a cultural studies approach, Poey examines a variety of materials: movies, recordings and accounts of live performances, song lyrics, and videos. Throughout she is interested in how performers challenge and inflect racial and gender norms. I especially liked the discussion of the way Mendoza substituted the audience for the male partner in a guaguancó, the critique of Estefan's carefully crafted career and persona, and the insightful reading in the last chapter of Albita's album covers and music videos. A great deal has been written about salsa music in the last several decades, but I don't know of a monograph like this one, which addresses exclusively the contribution of women performers." - Gustavo Pérez Firmat, Columbia University, USA