Preface and Acknowledgments If we can't dance, we don't want to be part of your revolution Alienation solidarity Method Prelude to action Martha Graham: Embodied Chronicle 2. ‘Go ahead and be a bastard’ Anna Sokolow Through dance I have experienced the wordless joy of freedom: Pearl Primus Dance as intervention, dance as action Ballet beyond borders ‘No one is born hating another person because of the color of his skin’ ‘Going around the house like a butterfly’ Ballet, home, Syria The canon must be fired! Ballet and the long arc of history There is only now: radical ballet going forward Erbil/ New York City: Break/ Dance The body in battle Those who leave and those who stay Not just for you, but for the rest of the earth Ballade of belonging At the still point of the turning world Break/ dance: echoing further: Erbil Steps in the street: Revolution DJ Dance on the march The People (dancing) united can never be defeated Dancing onwards! Dance as a home Transitions Home, exile, words, movement Arriving Storytelling Unraveling Homelessness- Devastation- Exile Spectre, haunting Bibliography Index
A work examining never-before-discussed connections between dance and activism internationally from the 1920s to our times.
Dana Mills is a writer, activist and dancer based in Amsterdam. She is the author of Dance and Politics: Moving beyond Boundaries and Rosa Luxemburg.
Mills artfully weaves together a massive array of case studies,
drawing connections across the globe and throughout the
century.
*Dance International*
Mills brings an investigative style and ethnographic approach to
dig deep—within contextual layers and personal stories—to discover
an interpretation that positions the dialog between the social
cultural moment, the dancer, and the dance … A tightly and
provocatively argued book that provides a new perspective on dance
as activism.
*Journal of Dance Education*
Dance and Activism: A Century of Radical Dance Across the World,
makes an important contribution to ongoing conversations within the
field of dance studies about the political nature of dance. The
book explores the mobilization of dance as a language and method
for activism and radical hope, extending and refining the intimate
relationship between dance and politics outlined in Mills’s
previous work.
*Dance Chronicle*
Dance and Activism’s main strength is that it is something of a
pioneer ... Dance and Activism is a welcome and necessary addition
to the dance history and dance studies canon. Graduate program
directors would be wise to point students toward this book not only
as a resource, but as a reminder that powerful and transformative
dance exists outside the concert stage.
*Theatre Topics*
A most intriguing, erudite book.
*Sydney Arts Guide*
Mills’s book provides unique case studies that draw from different
forms of dance across the globe. These case studies analyse the
actions of the dancers and choreographers, not choreographed works.
The majority of books about dance and politics rely on analysis of
dance pieces or theorize from generalized notions of dance. Mills
also focuses on the actions of the dancers and choreographers whose
actions are explicitly political/create direct action in the world.
The site of their action is the world at large, not the theatre for
a select audience. The majority of books about dance and politics
discuss the political effects of events that occur in the closed
environment of the theatre or dance studio.
*Leah Cox, Dean of the American Dance Festival*
Mills shows how dance and dancers from the stage to the streets
have responded to forces of alienation and oppression, and how they
have moved their bodies—and others—to imagine different worlds. It
is a stirring and powerful read, and a prelude to action.
*Glory Liu, Harvard University, USA*
The past is constantly present as Dana Mills chronicles the
extraordinary potential our expressive dancing body/mind. In an age
of increasingly sedentary work, her deep analysis of “dance as
activism” lays bare a far-reaching radicalism and breadth of
diversity in dance forms. Dance and Activism is both timely and
necessary.
*Blakeley White-McGuire, Dancer, Choreographer, Educator and
Activist, USA*
In this groundbreaking multi-disciplinary book, Dana Mills leads
dance from the wings of political activism to the centre stage of
human resistance and the creative struggle for freedom and our most
precious, primordial material possession – the bodies in which we
live and struggle for self-possession. Mills deftly choreographs a
century of global theatre of street protest and popular movements
through the individual stories and collective moments and movements
that create surprising uprisings and new solidarities. A brilliant
political theorist, activist and dancer at the forefront of the
pursuit of a new dialectics for our troubled modern age, Mills
shares her cogent analysis and innovative thinking in a readable,
engaging form that leaps beyond intellectual boundaries and
galvanises a new genre of thought in action. Vividly describing how
our restless bodies can and will reach out, rise up and protect
everything that is human and beautiful in our world, Dana Mills
shows, with passion and commitment, why people will never stop
dancing in search of freedom.
*Rachel Holmes is critically acclaimed author of, most recently,
Eleanor Marx: a Life and Sylvia Pankhurst: Natural Born Rebel*
This book is essential for anyone who wants dance to be part of
their revolution.
*New Books Network*
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