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Dark Ecology
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Table of Contents

Acknowledgments Beginning After the End The First Thread The Second Thread The Third Thread Ending Before the Beginning Notes Index

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A philosophical and historical account of our ecological crisis and a roadmap for the way forward.

About the Author

Timothy Morton is Rita Shea Guffey Chair in English at Rice University. His books include Ecology Without Nature (2007); The Ecological Thought (2010); Hyperobjects: Philosophy and Ecology After the End of the World (2013); and Realist Magic: Objects, Ontology, Causality (2013); and he has published more than 150 essays on ecology, philosophy, art, literature, music, architecture, and food. He has collaborated with several artists, including Bjork, Olafur Eliasson, and Haim Steinbach, and blogs regularly at ecologywithoutnature.blogspot.com.

Reviews

In often witty and humorous language, Timothy Morton provides a kind of affective atlas for the human era. The book calls for scholars to recognize the structures of entwinement between (the human) species and ecological phenomena and to develop modes of thought for accommodating them. -- Kate Marshall, University of Notre Dame Dark Ecology is a brave, brilliant interrogation of the presumptions that have driven our approach to the ecological and environmental challenges of our era. Anyone who is willing to ride the rollercoaster of ideas on which Morton takes us will reach the end brimming with new conceptual and intellectual energies with which to face up to our present limits and failures and to shape an alive and joyful future. -- Imre Szeman, University of Alberta Morton is a master of philosophical enigma. In Dark Ecology he treats us to an obscure ecognosis, the essentially unsolvable riddle of ecological being. Prepare to be endarkened! -- Michael Marder, author of The Philosopher's Plant and Pyropolitics Morton commands readers' attention with his free-form style... [Dark Ecology] extends his previous work to offer a seismically different vision of the future of ecology and humankind. Publishers Weekly

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