Thomas Mullen is the author of Darktown, an NPR Best Book of the Year, which has been shortlisted for the Los Angeles Times Book Prize, the Southern Book Prize, the Indies Choice Book Award, has been nominated for two Crime Writers Association Dagger Awards, and is being developed for television by Sony Pictures with executive producer Jamie Foxx; The Last Town on Earth, which was named Best Debut Novel of 2006 by USA Today and was awarded the James Fenimore Cooper Prize for excellence in historical fiction; The Many Deaths of the Firefly Brothers; and The Revisionists. He lives in Atlanta with his wife and sons.
This novel successfully combines the pleasures of the best crime fiction with a story that anatomises the kind of racial tensions that plague America today -- Nick Rennison * The Sunday Times * A terrific story that raises issues that have not yet vanished -- Marcel Berlins * The Times * Sudden violence and a seeping sense of unease are leavened with glimpses of light; Darktown feels like a state of mind as much as a place, fighting for better times to come. * North and South Magazine * This socially resonant and morally complex literary thriller is a vivid, smart, intricately plotted saga exploring race, law enforcement, and the uneven scales of justice. It is a book to make you think. * Crime Review * Darktown is also immensely successful as both a thriller and a historical novel * Morning Star * Extremely evocative in bringing the pre-civil rights South to life * Booklist * A gritty, beautifully written police procedural doubling as a searing indictment of the racial tensions that then and now bedevil American society * Irish Independent * A hard-boiled masterpiece . . brutal, harrowing, full of anger yet atmospheric, compelling and layered with hope. A hard as nails gem. * Weekend Sport * A novel that couldn't be timelier. * O Magazine * Gripping . . . melds an intense plot with fully realised characters. * Associated Press * Mullen is a wonderful architect of intersecting plotlines and unexpected answers . . . Compelling works of fiction such as Mullen's walk a fine line between art that reminds us of horrors past and art that trades on them with pieces too unfinished to play with * Washington Post * I LOVED Darktown. It just grabbed and dragged me into such a brutal and little-known past. An ambitious and original tale of murder where the heat and brutality rise off the page in a cruel and divided city * Dreda Say Mitchell * Mullen is skilled at bringing the past to life, both socially and visually . . . fans of well-written literary thrillers will want this expert example * Library Journal * With a masterly sense of place, it shines a light on an uncomfortable period of American race relations which mirrors the struggles it still faces today, making it both shocking and deeply relevant * Express * This page-turner reads like the best of James Ellroy * Publishers Weekly * Fine Southern storytelling meets hard-boiled crime in a tale that connects an overlooked chapter of history to our own continuing struggles with race today * Charles Frazier, author of Cold Mountain * A fine, unflinching example of the increasingly widespread use of crime fiction to explore social issues; its plot is gripping -- AD Miller * The Economist * A complicated crime fiction that melds an intense plot with fully realized characters * Daily Mail * From the very first page of Darktown, I was stunned, mesmerized, and instantly a huge fan of Tom Mullen. Beyond the history and the thrilling mystery, the book's soul lies in the burgeoning partnership (and dare I say friendship) at the center of the book. It's a reminder of the ties that cut across race in America. There is nothing I love more in a book than hope. * Attica Locke, author of Black Water Rising * A terrific story that raises issues that have not vanished. -- Marcel Berlins * The Times * Fascinating, grim and unsettling, this is a story of violent and ingrained racism, political corruption, conspiracy and almost unbearable psychological pressure * Guardian * One incendiary image ignites the next in this highly combustible procedural, set in the city's rigidly segregated black neighborhoods during the pre-civil-rights era and written with a ferocious passion that'll knock the wind out of you. * New York Times * Mullen blends the classic ingredients of det-fic noir with a well-researched and searing portrayal of pre-civil rights racial division. Magnificent and shocking * Sunday Times * Superb * Ken Follett * A brilliant blending of crime, mystery, and American history. Terrific entertainment. * Stephen King *