About the Author

Wolfgang Kemp is a cultural historian at the University of Marburg, Germany. He has taught and lectured widely in the United States.

Reviews

"This "tour de force of analysis" examines the life and work of the prolific, visionary writer, painter and critic. Kemp finds in Ruskin's life -- which spanned the same years as Queen Victoria's and thus embodied the Victorian era itself -- a faithful mirror of the history and psychological evolution of his age" --Joel Agee

Examining the English critic alongside Byron, Carlyle, Karl Kraus and others of his time, and considering views of him given by Shaw and Proust, the author, a German art historian, contends that Ruskin (1819-1900) was a reflection of Victorian history and pathology. Kemp regards him as not only a major reformer, educator and ecologist, but also as a great realistic draftsman whose drawings reveal developing emotional instability. Increasingly, Ruskin's attention moved from art to society as he came to criticize capitalism, religion, technology, the destruction of nature--and himself. First sightseer, then see-er, finally seer and mythmaker, Ruskin in his old age became industry as well as institution: there were Ruskin ceramics and linens, even Ruskin cigars. This distinguished work, gracefully translated, is illustrated with portraits of the critic and drawings by him. (Aug. )

"This "tour de force of analysis" examines the life and work of the prolific, visionary writer, painter and critic. Kemp finds in Ruskin's life -- which spanned the same years as Queen Victoria's and thus embodied the Victorian era itself -- a faithful mirror of the history and psychological evolution of his age" --Joel Agee