Introduction
1 The archaeological art historian
2 The materiality of images
3 Timely anachronisms
4 The empreinte
5 Making monsters
6 Thinking images
Conclusion
Bibliography
Index

About the Author

Chari Larsson is Lecturer in Art History at the Queensland College of Art, Griffith University.

Reviews

'Larsson’s book is a wonderful entrée into the complexities of [Didi-Huberman's] discourse, and its legibility is a testament to the author, who has ordered and presented Didi-Huberman’s often dazzling agenda for art history today.'
Giles Fielke, Australian and New Zealand Journal of Art

'Given the fact that Didi-Huberman has written over fifty books in a career spanning four decades and that he is one of the most well-known French theorists of images, such a study is long overdue... scholars studying his work now have a well-researched and very helpful monograph to help them find their way through the labyrinthine oeuvre of Didi-Huberman.'
Stijn De Cauwer, CAA Reviews
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Table of Contents

About the Author

Reviews