Dirty Words in Deadwood
Literature and the Postwestern (Postwestern Horizons)
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|Format: ||Paperback, 360 pages|
|Other Information: ||23 illustrations, 2 appendixes, index|
|Published In: ||United States, 01 July 2013|
"Dirty Words in "Deadwood"" showcases literary analyses of the "Deadwood "television series by leading western American literary critics. Whereas previous reaction to the series has largely addressed the question of historical accuracy rather than intertextuality or literary complexity, Melody Graulich and Nicolas S. Witschi's edited volume brings a much-needed perspective to "Deadwood"'s representation of the frontier West.
As Graulich observes in her introduction: "With its emotional coherence, compelling characterizations, compressed structural brilliance, moral ambiguity, language experiments, interpretation of the past, relevance to the present, and engagement with its literary forebears, "Deadwood" is an aesthetic triumph as historical fiction and, like much great literature, makes a case for the humanistic value of storytelling." From previously unpublished interviews with series creator David Milch to explorations of sexuality, disability, cinematic technique, and western narrative, this collection focuses on "Deadwood" as a series ultimately about the imagination, as a verbal and visual construct, and as a literary masterpiece that richly rewards close analysis and interpretation.
Brings a much-needed perspective to Deadwood's representation of the frontier West
Table of Contents
List of Illustrations Acknowledgments Introduction: Deadwood's Barbaric Yawp: Sharing a Literary Heritage Melody GraulichDeadwood Episodes Deadwood Cast 1. David Milch at Yale: An Interview Nathaniel Lewis2. Last Words in Deadwood Brian McCuskey3. The Thinking of Al Swearengen's Body: Kidney Stones, Pigpens, and Burkean Catharsis in Deadwood Tim Steckline4. "Land of Oblivion": Abjection, Broken Bodies, and the Western Narrative in Deadwood John Dudley5. The Final Stamp: Deadwood and the Gothic American Frontier Wendy Witherspoon6. "Down These Mean Streets": Film Noir, Deadwood, Cinematic Space, and the Irruption of Genre Codes Nicolas S. Witschi7. "Right or Wrong, You Side with Your Feelings" Jennilyn Merten8. "A Brooding and Dangerous Soul": Deadwood's Imperfect Music David Fenimore9. Calamity Jane and Female Masculinity in Deadwood Linda Mizejewski10. Queer Spaces and Emotional Couplings in Deadwood Michael K. Johnson11. Who Put the Gun into the Whore's Hand? Disability in Deadwood Nicole TonkovichBibliography Contributors Index
About the Author
Melody Graulich is a professor of English and American studies at Utah State University and the editor of Western American Literature. She is the coeditor of In Search of a Common Language: Environmental Writing and Education and Reading "The Virginian" in the New West: Centennial Essays (Nebraska, 2003). Graulich won the 2014 Mary C. Turpie Award from the American Studies Association. Nicolas S. Witschi is a professor of English at Western Michigan University and a past president of the Western Literature Association. He is the editor of A Companion to the Literature and Culture of the American West and author of Traces of Gold: California's Natural Resources and the Claim to Realism in Western American Literature.
"Solidly researched and persuasively argued. . . . Dirty Words in "Deadwood" expands upon its multiple meanings from a broad scope of perspectives that situate the series in a startlingly contemporary world."-Kirsten Mollegaard, Journal of American Culture -- Kirsten Mollegaard * Journal of American Culture * "Dirty Words in Deadwood will be welcomed by Deadwood scholars and casual readers looking for fresh insights into Milch's iconoclastic series."-Brad Benz, Great Plains Quarterly -- Brad Benz * Great Plains Quarterly * "Melody Graulich and Nicholas S. Witschi offer a smart collection of 11 essays that deconstruct Deadwood."-True West * True West *
University of Nebraska Press|
22.9 x 15.2 centimetres (0.50 kg)|
15+ years |