Acknowledgements
Introduction
'Believe Me, I'm of the World': Documentary Representation
Men with Movie Cameras: Flaherty and Grierson
Constructing and Contesting Otherness: Ethnographic Film
Decolonizing the Image: Aboriginal Documentary Productions
The Truth of the Matter: Cinema Verite and Direct Cinema
The Camera I: Autobiographical Documentary
Finding and Keeping: Compilation Documentary
The Fact/Fiction Divide: Drama-Documentary and Documentary
Drama
The Evening Report: Television Documentary Journalism
Up Close and Personal: Popular Factual Entertainment
The Burning Question: The Future of Documentary
Conclusion
Screenings and Additional Resources
Notes
Bibliography
Index.
KEITH BEATTIE teaches courses of film and media within the contemporary humanities program of the University of Queensland. He is the author of The Scar that Binds (New York University Press, 1998), a critical study of fictional and non-fictional representations of the post-Vietnam war era and is currently co-editing a collection of essays dealing with national cinemas.
KEITH BEATTIE is a Lecturer at Deakin University, Melbourne, Australia. He is the author of The Scar that Binds (New York University Press, 1998).
'I finished reading Documentary Screens...today and find it to be the most accessible, readable, up-to-date, comprehensive, and authoritative book of its kind.' - Sam B. Girgus, Vanderbilt University, USA
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