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About the Author

David B. is a founding member of L'Association, a group of French cartoonists who banded together as publishers in 1990 and have revolutionized European comics with their groundbreaking approach to format, subject matter, and style. He has received many awards, including the French Alph' Art award for comics excellence in 2000, and he was cited as European Cartoonist of the Year in 1998 by The Comics Journal. He lives in France.


Adult/High School-This autobiographical work plumbs the psychological, social, and symbolic reaches of the author's experiences in a family that must deal with a devastating disease. Growing up in the 1960s and 1970s in France's Loire Valley, Jean-Christophe developed grand mal epilepsy around the age of 11. Pierre-Franois, nine, observes his brother's battle with the physical and social implications of the disease; their parents' efforts to find management of it through medical, macrobiotic, and even psychic interventions; and the author's own development in this milieu as a boy obsessed with history and warfare and as a dedicated artist. This is a full-strength novel with well-developed characters, subplots concerning both World Wars, and riffs on the popular culture of the period in which hip Westerners looked to the East for solutions to health and spiritual maladies. David B.'s black-and-white panels spin with Jungian figures of serpents and offer snapshots of commune kitchens, woodlots haunted by his recently deceased grandfather, and street alleys where neighborhood children fantasize the distant past and uncharted future. This volume comprises half of the eight titles originally published in French, and readers will eagerly await its companion. Teens who have read Don Trembath's Lefty Carmichael Has a Fit (Orca, 2000) or Lauren Slater's Lying: A Metaphorical Memoir (Random, 2000) may find this book to be the one that encourages them to become aficionados of sophisticated, graphic-novel literature.-Francisca Goldsmith, Berkeley Public Library, CA Copyright 2003 Cahners Business Information.

David B.'s acclaimed memoir centers on his brother's epilepsy and the family's struggle through numerous medical procedures and lifestyle changes to try to heal him. The artwork is moody and often intricate, reflecting the anguish caused by the illness and the wedge the disease creates between the brothers. (LJ 3/15/05) (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

The first half of French cartoonist David B.'s astonishing L'Ascension du Haut Mal appeared in English a few years ago, but this is the first time the whole book has been translated, and it's one of the greatest graphic novels ever published. Epileptic is a memoir of B.'s evolution into an artist, how learning to re-envision and recreate the world with his eyes and hands became his escape route from the madness and disease that might have destroyed him. B.'s family becomes involved with the shady alternative medicine world in France circa 1970 in an attempt to help his epileptic, unstable older brother. What B. picks up from that culture, from the military history he obsesses over and from his brother's cruel delusions is the raw material of his art: his stylized bodies and objects, which look like woodcuts and urn drawings, and especially his constant conflation of physical reality and symbolic value. With B.'s parents consumed with finding a cure, and his brother's quality of life deteriorating, B.'s dreams of a normal childhood are constantly undermined by his brother's illness, to be replaced by a waking and dreaming life filled with demons.This struggle becomes Epileptic's narrative core. B.'s artwork is magnificent-gorgeously bold, impressionistic representations of the world not as it is but as he's taught himself to perceive it-especially in the heartbreaking dream sequences near the end of the book. B.'s illustrations constantly underscore his writing's wrenching psychological depth; readers can literally see how the chaos of his childhood shaped his vision and mind. (Jan. 4) Copyright 2004 Reed Business Information.

"A painfully honest examination of the effects of debilitating epilepsy on one man and his family, told through a combination of straightforward text and expressionist imagery that ranges in its palette from centuries-old symbolism to the secret worlds of childhood. Even as he shows up the hollow promises of every school of esoteric and alternative medicine his family encounters in their quest for help, David B. works a real kind of deeply human magic on the page-- something forged from black ink and a soul's struggle--that marks Epileptic as one of the first truly great narrative artworks of the new millennium."--Jason Lutes, author of Jar of Fools and Berlin

"David B has created a wildly beautiful fantasia on human frailty, on the making of an artist and the unmaking of his own brother -- a memoir that is hopeful and bitterly poignant all at once." -- Paul Collins, author of Not Even Wrong: Adventures in Autism

"David B.'s sprawling tale of his family, overrun by his brother's illness and obsessed with curing it, is a masterful depiction of people searching for answers when there may be none. David B. is clearly one of the best storytellers in the medium of comics."--Joe Sacco, author of The Fixer, Palestine and Safe Area Gorazde "In Epileptic, the distortions of family life caused by his brother's illness are the cracked lens through which David B. explores on his own family's history and, by extension, the conflicts of 20th century France and even, to an extent, the world. The thing that makes this memoir unlike any ever seen before is the wonderful, inky, intricate artwork, and the way that allows us to enter into the story via the rich and angry fantasy life of a growing boy."--Jessica Abel, author of La Perdida, Mirror, Window and Soundtrack

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