Born in Cornwall, son of an Estonian wartime refugee, Philip Gross has lived in Plymouth, Bristol and South Wales, where he was Professor of Creative Writing at Glamorgan University (USW). His 19th collection, A Bright Acoustic (2017), follows nine previous books with Bloodaxe, including Love Songs of Carbon (2015), winner of the Roland Mathias Poetry Award (Wales Book of the Year), also a Poetry Book Society Recommendation; Later (2013); Deep Field (2011), a Poetry Book Society Recommendation, which was shortlisted for the Roland Mathias Poetry Award (Wales Book of the Year); The Water Table (2009), winner of the T.S. Eliot Prize; The Egg of Zero (2006); Mappa Mundi (2003), a Poetry Book Society Recommendation; and Changes of Address: Poems 1980-1998 (2001), his selection from earlier books including The Ice Factory, Cat's Whisker, The Son of the Duke of Nowhere, I.D. and The Wasting Game. His book I Spy Pinhole Eye (Cinnamon Press, 2009), a collaborative work with photographer Simon Denison, won the Wales Book of the Year Award 2010. He won a Cholmondeley Award in 2017. Philip Gross's poetry for children includes Manifold Manor, The All-Nite Cafe (winner of the Signal Award 1994), Scratch City and Off Road To Everywhere (winner of the CLPE Award 2011). Since The Song of Gail and Fludd (1991) he has published nine more novels for young people, most recently The Storm Garden (2006).
'Nature, people, the obscurities of one's self, yield up their otherness in those epiphanic moments when Gross' peripheral eyesight catches them off guard. His is a voice that is mordant, obsessive, compelling - but nonetheless grateful for the rewards of living' - "PBS Bulletin". 'Philip Gross knows how to make silence and suggestion resonate...he touches an alien, intractable dimension...Gross's poems are about lost bearings and blurred frontiers' - Terry Eagleton, "Independent on Sunday". 'He should be recognised as one of England's very best poets, not only for the exuberance of his imagination, but because of what he is writing about' - John Greening, "Times Literary Supplement". 'Many of the poems convey a deep awareness of this fragility and downright improbability that forms the core of our lives...[enabling] us better to treasure our "ordinary" moments - the taken-for granted, charted ground' - Kate Keogan, "Acumen".