Olga Ravn (born 1986) is a Danish novelist and poet. In
collaboration with Danish publisher Gyldendal she edited a
selection of Tove Ditlevsen’s texts and books that relaunched
Ditlevsen’s readership worldwide. Her novel The Employees was on
the shortlist for the Booker Prize in 2021.
Martin Aitken has translated numerous novels from Danish and
Norwegian, including works by Karl Ove Knausgaard, Peter Høeg, Ida
Jessen, and Kim Leine. He won the PEN Translation Prize for his
translation of Hanne Ørstavik’s Love.
"A deeply sensory book, suffused with aroma and alert to
tactility... The Employees is not only a disconcertingly quotidian
space opera; it’s also an audacious satire of corporate language
and the late-capitalist workplace, and a winningly abstracted
investigation into what it means to be human… This clever,
endlessly thought-provoking novel catches something of our
recursive search for the nature of consciousness; a question that
answers itself, a voice in the darkness, an object moving through
space."
*Justine Jordan - Guardian*
"An alarmingly brilliant work of art"
*Max Porter*
"Beautiful, sinister, gripping. A tantalizing puzzle you can never
quite solve. All the reviews say that the novel is, ultimately,
about what it means to be human. What makes it exceptional,
however, is the way it explores the richness and strangeness of
being non-human."
*Mark Haddon*
"What might result if Ursula K. Le Guin and Nell Zink had a
baby."
*Tank Magazine*
"An achingly beautiful mosaic of fragile characters managing their
longing, pain, and alienation. This gorgeous, evocative novel is
well worth the effort."
*Publishers Weekly*
"In brief numbered statements delivered by the human and nonhuman
crew of the Six Thousand Ship to a shadowy committee, Ravn seeds
her narrative with direct and allegorical reflections on
transhumanism, disappearing nature, and the ambiguities of being
embodied... The novel is by turns queasily exact about what is
seen—skin pitted like pomegranate, an object’s furrows oozing some
nameless balm—and willfully obscure. Ambiguity is everything: “I
don’t know if I’m human anymore. Am I human? Does it say in your
files what I am?”"
*Brian Dillon - 4columns*
"The Employees asks important questions about what makes up human
consciousness, and also, critiques corporate language that can make
its way into our lives sometimes without us knowing. It's very
funny. It's very interesting. I definitely recommend checking this
one out."
*Corinne Segal - WNYC*
"A book that strikes a rare balance between SF philosophy and
workaday feeling all while whirling through space."
*Kirkus*
"Few stories today are as sublimely strange and their own thing as
Olga Ravn’s The Employees. This disorienting, mind-bending expanse
recalls as much the poetry of Aase Berg as the workplace fiction of
Thomas Ligotti. Something marvelously sui generis for the
jaded."
*Jeff VanderMeer*
"The most striking aspect of this weird, beautiful, and
occasionally disgusting novel is not, as its subtitle implies,
its portrayal of working life on the spaceship. What The
Employees captures best is humanity’s ambivalence about life
itself, its sticky messes and unappealing functions, the goo
that connects us to everything that crawls and mindlessly
self-propagates, not to mention that obliterating payoff at
the end of it all."
*Laura Miller - New York Review of Books*
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