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List of contributors List of illustrations Foreword, Mary Schoeser Acknowledgements An introduction to The Erotic Cloth Prof. Lesley Millar and Prof. Alice Kettle I. The representation of cloth 1. Folds, scissors and cleavage in Giovanni Battista Moroni's Il Tagliapanni Angela Maddock 2. A perverted taste: Italian depictions of cloth and puberty in mid-nineteenth-century marble Dr Claire Jones 3. Stitching up: embroidering the sex life of a fetishist image-maker Dr Nigel Hurlstone II. Making and remaking the cloth 4. The rustle of taffeta - the value of hapticity in research and reconstruction of an eighteenth-century Sack-back dress Debra Roberts 5. The embroiderer's jouissance: stitching a feminine identity in an environment of mining machismo Ruth Hingston 6. Flying in the face of fashion; how through punk, fetish and sexually orientated clothing made it into the mainstream Prof. Malcolm Garrett in conversation with Prof. Alice Kettle III. The alternative cloth 7. Present or absent shirts: creation of a lexicon of erotic intimacy and masculine mourning Prof. Catherine Harper 8. Empowering the Replicant: visual and haptic narratives in Blade Runner Caroline Wintersgill and Dr Savithri Bartlett 9. Caressing cloth: the warp and weft as site of exchange Dr Catherine Dormor IV. The performing cloth 10. Curvatures of cloth: William Hogarth's Line of Beauty and `The heart of true eroticism' in serpentine dance Dr Georgina Williams 11. The echoes of erotic cloth in film Liz Rideal 12. UN/DRESS Masako Matsushita in conversation with Prof. Lesley Millar Afterword: Erotic cloth - the case of kimono Yuko Ikeda
Unravelling the erotic relationship between textiles and the body through case studies in film, painting, sculpture and design, this book shows how cloth has the potency to seduce, excite and disturb.
Lesley Millar is Professor of Textile Culture and Director of The International Textile Research Center at the University for the Creative Arts, UK. Alice Kettle is Professor of Textile Arts at Manchester Metropolitan University, UK and Visiting Professor at the Center for Real World Learning, University of Winchester, UK.
With such a combination of word and image, this collection fulfills its promise and more: it excites, disturbs, and satisfies. * Selvedge Magazine * Weaver Lesley Millar and embroiderer Alice Kettle introduce 12 substantial essays by an international group ... The excellent colour illustrations throughout range widely through images of textile objects and clothing and their depiction in painting, sculpture, photography, film, dance and performance art in periods from the Renaissance to the present. * Journal for Weavers, Spinners & Dyers * Refreshing ... At last, here is a book that puts textiles into the heart of academia. * Sew Region Magazine * This nuanced and thoughtful set of essays successfully combines the academic with the personal and creative, exploring the different ways in which cloth can relate to the body. -- Sorcha O'Brien, Kingston School of Art, UK A range of sensual engagements with cloth and its representation, this fascinating collection is packed with vivid imagery and insight. -- Barbara Brownie, University of Hertfordshire, UK The Erotic Cloth is a delight to read. Exploring intimacy, erotica, fetish and sexual expectations, Kettle and Millar have gathered research that will profoundly affect fashion scholarship. -- Sandra Alfody, Novia Scotia College of Art & Design, Canada Millar and Kettle's formidable knowledge offers a stimulating exploration of our sensual relationship with cloth. An immensely satisfying book, and essential reading for anyone with a passion for fabric. -- Susan Prichard, Senior Curator of Decorative Arts at Royal Museums Greenwich, UK