Part I: Setting the Scene
Chapter 1: Introduction
Chapter 2: Once Upon a Time, There Was a Story
Chapter 3: What Are Fairy Tales, Anyway?
Part II: Cinderella Transformed in the Twenty-First Century
Chapter 4: Cinderella’s Subtypes
Chapter 5: Cinderella Variants and Versions
Chapter 6: Cinderella as Shorthand
Part III. Old Wine in New Wine Skins: Contemporary Fairy-Tale Pastiche on Film
Chapter 7: Fairy-Tale Pastiche, a Rising Trend in the Twenty-First Century
Chapter 8: Manhattan Meets Andalasia, and Both Are Changed: Overt Fairy-Tale Pastiche in Disney’s Enchanted
Chapter 9: Challenging the Patriarchy and Restoring Interpersonal Harmony: Covert Pastiche in Disney-Pixar's Brave
Conclusion
Kate Koppy is assistant professor in the Department of Humanities at the New Economic School in Moscow, Russia.
This book offers a unique entry point into fairy tale studies
because it offers a distinct framing of contemporary phenomena that
brings together fields that generally remain separate: fairy tale
scholarship, Disney studies, and mythic cultural cohesion.
*K. A. Laity, College of Saint Rose*
In Fairy Tales in Contemporary American Culture: How We Hate to
Love Them, Kate Koppy compels the reader to see fairy tales as
American secular scripture, which, like sacred scripture, works to
create a community identity among shared readers, listeners, and
viewers. Her book provides rich analysis of fairy tales' popularity
in American culture and a novel methodology for scholars to explore
fairy tale consumption and production. Koppy’s writing is
accessible, her argument is compelling, and her book is a must for
scholars and lovers of fairy tales.
*Amanda M. Caleb, Misericordia University*
This brilliant study considers how fairy tales have supplanted
biblical scripture to become the new cultural locus of social
cohesion in the U.S. Many scholars have dismissed the fairy tale’s
role in cultural development, but Koppy’s work serves as an
important corrective by plotting the role fairy tales have taken on
in modern America, how these tales have become ingrained in
American mythos, and how their very pervasiveness allows for the
interrogation of American core values. For scholars of the
development of the American imaginary, students of contemporary
folklore, or anyone touched by the cultural force of fairy tales,
Koppy’s book is a vital read.
*David Sweeten, Eastern New Mexico University*
This is an important and incisive book that rethinks how we
understand the cultural work of fairy tales in the twenty-first
century. Drawing on a wide range of fairy tales in a variety of
media from across the globe and throughout time, Kate Koppy prompts
us to read these stories as secular scripture, the fundamental
narratives that make it possible for communities to cohere in a
postmodern world. In doing so, Koppy offers us a new intersectional
methodology for reading the evolution and dissemination of fairy
tales in the contemporary United States.
*Nicholas Mohlmann, University of West Florida*
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