Table of Contents

List of Figures. Notes on Contributors. Acknowledgements. Permissions. 1. Provocations 2. Representation 3. Differences 4. Histories 5. Readings / Interventions 6. Bodies 7. Technologies. Index

About the Author

Amelia Jones is Grierson Chair in Visual Culture in the Department of Art History and Communication Studies at McGill University, Montreal. She has organised exhibitions including Sexual Politics: Judy Chicago's Dinner Party in Feminist Art History at the UCLA/Armand Hammer Art Museum (1996) and has edited other volumes, most notably Companion to Contemporary Art Since 1945 (2006). Her most recent single-authored books include Irrational Modernism: A Neurasthenic History of New York Dada (2004) and Self/Image: Technology, Representation, and the Contemporary Subject (2006).

Reviews

'The Feminism and Visual Culture Reader is a useful inspiring reference work.' --Muse