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Starhawk, author of The Fifth Sacred Thing and Walking to Mercury, lives with her husband, stepchildren, and Goddess-children in San Francisco, where she works with the Reclaiming collective.
Known for her works in women's spirituality and ecofeminism, Starhawk has conjured a visionary tale of a multicultural community of witches where poverty, prejudice, hunger, and thirst do not prevail. The surrounding world, set in present-day San Francisco, manifests every 20th-century nightmare: ozone depletion, deadly pollution, a fundamentalist religion-based government, and food and water shortages. The central question haunting a community of well-cast characters is how to resist invading Southern forces without resorting to violence. This strong debut fits well among feminist futuristic, utopic, and dystopic works by the likes of Charlotte Perkins Gilman, Ursula LeGuin, and Margaret Atwood. Starhawk is the author of The Spiral Dance ( LJ 11/1/79), Dreaming the Dark ( LJ 9/15/82), and Truth or Dare (HarperSanFrancisco, 1989). Recomended for literary collections.-- Faye A. Chadwell, Univ. of South Carolina Lib., Columbia
In her sometimes clumsy but compelling first novel, the author of The Spiral Dance (a central work in the women's spirituality movement) considers two possible futures for America. In ecologically devastated mid-21st-century California, San Francisco is a precariously maintained oasis, its society based on egalitarianism and environmentalism, its deeply spiritual populace possessed of psychic and mystical powers. Drought-plagued southern California suffers under an oppressive, militaristic, technocratic regime that spouts a perverted Christian ideology. After 20 years of uneasy peace, the south's armies mass to invade the north, whose militantly nonviolent denizens must decide how to defend themselves without compromising their pacifism. Starhawk delivers her message with a heavy hand and several cliches: her besieged utopia echoes the liberal politics and ecofeminism of her nonfiction; her dystopia features the overused SF bugbear of Christian fanaticism. However, she creates memorable characters--a young midwife, a broken musician, an old Witch-Woman--and skillfully conveys their emotions in gripping, sometimes harrowing scenes set against vivid backdrops. Though the resolution is somewhat pat--and an obvious plug for Starhawk's philosophy--the story is moving and absorbing. ( May )