Introduction
Chapter One: Film and ecology, Doughnut Economics, and film theory
Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956)
Chapter Three: Where we are now and where we need to be: from Source and Sink to Take->Make->Use->Re-use – Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013)
Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaüm (2018)
Susan Hayward is Emeritus Professor of Cinema Studies at Exeter University. She is the author of numerous books on French Cinema and Cinema Studies: The Key Concepts (now in its fifth edition).
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