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Film Remakes as Ritual and Disguise
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Table of Contents

Table of Contents[-] Acknowledgments[-] Introduction[-] Structure and Content ..[-] Chapter 1 Psycho: Inside and Outside the Frame[-] The Cinematic Institution[-] The Dynamic of Repetitions ..[-] Psycho, Fetishism and Pleasure[-] Part One First Variation: Carmen[-] Chapter 2 The Game Begins[-] I Versions ..[-] II Intertextual Sources ..[-] III Variability ..[-] IV Carmen's Chain ..[-] Chapter 3 Muted Voices[-] I Olympia ..[-] II Re-Significations ..[-] III Carmen's Transgression ..[-] IV Filming the Haba�era ..[-] V The Transformations of Carmen ..[-] Chapter 4 Masks[-] I Borrowing Objective Discourse ..[-] II The Traveller's Gaze: Indirect Characterization ..[-] III Placing and Re-Placing Ethnicity ..[-] IV Space and the Smuggling Gesture ..[-] V Conclusion or -Will the Marvelous, Beautiful Story of Carmen Live Forever?� (Chaplin) ..[-] Part Two Second Variation: Joan[-] Chapter 5 The Game Again[-] I Histories ..[-] II Unattainable Mythemes ..[-] III Regime of Discourses ..[-] Chapter 6 Hearing Voices[-] I Image, Biography and History or Let Us Now Praise Famous Men ..[-] II The Ambiguity of Historical Images ..[-] III The Voices as an Anxious Sign ...[-] IV An Intertextual Dialogue ..[-] Chapter 7 Disguises[-] I Discourses and Detours ...[-] II Version and Meta-Version ...[-] III Disguised Versions ...[-] IV Repetition, Cultural Memory and Trauma ...[-] Conclusion[-] Chapter 8 Repetitions as Hidden Streams[-] I Looking Back ...[-] II Repetitions and Variations ...[-] III Fetishism and Exorcism ...[-] References[-] Filmography[-] Credits[-] Index[-]Acknowledgements - 8[-]Introduction - 10[-]Ch 1: Psycho: Inside and Outside the Frame - 14[-]Part One - 28[-]Ch 2: The Game Begins - 30[-]Ch 3: Muted Voices - 44[-]Ch 4: Masks - 56[-]Part Two Second Variation: Joan - 68[-]Ch 5: The Gmae Again - 70[-]Ch 6: Hearing Voices - 86[-]Ch 7: Disguises - 102[-]Conclusion - 118[-]Ch 8: Repetitions as Hidden Streams - 120[-]References - 132[-]Filmography - 148[-]Credits - 152[-]Index - 154

About the Author

Anat Zanger is associate professor (=Senior Lecturer ) at the Film & Television Department, Tel Aviv University.

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