PART OF THE ACCLAIMED MASTERS OF ROME SERIES
Colleen McCullough was born in Australia. A neurophysiologist, she
established the department of neurophysiology at the Royal North
Shore Hospital in Sydney, then worked as a researcher and teacher
at Yale Medical School for ten years.
Her writing career began with the publication of Tim, followed by
The Thorn Birds, a record-breaking international bestseller. The
author of over ten other novels, including the acclaimed 'Masters
of Rome' series, Dr McCullough also wrote lyrics for musical
theatre.
Until her death in 2015 she lived on Norfolk Island in the Pacific
with her husband.
The author's narrative flows as easily as Father tiber . . . A
grandly meaty historical novel . . . rich with gracefully
integrated research and thundering to the beat of marching roman
legions
*Kirkus Reviews*
If nothing else, this hefty tome, the first of a projected series, proves that McCullough ( The Thornbirds ) can write a serious historical novel that edifies while it entertains. Evoking with impeccably researched, meticulous detail the political and social fabric of Rome in the last days of the Republic, McCullough demonstrates a thoroughgoing understanding of an age in which birth and blood lines determine one's fate, and the auctoritas and dignitas of the Roman family mean more than any personal relationship. When the narrative opens in 110 B.C., this rigidly stratified social order has begun to erode. The protagonist, Gaius Marius, is the symbol of that gradual change. He is the embodiment of the novel's title, a genuine New Man who transcends his Italian origins and earns the ultimate political accolade--the consulship--for an unprecedented six terms. A brilliant military leader, Marius defeats the invading barbarian German tribes. Wily, shrewd and pragmatic, Marius is not above using bribery and chicanery to achieve political ends. Nor, indeed, are his fellow officials, whose sophisticated machinations are in odd juxtaposition with their penchant for jeering at one another, which leads to fisticuffs, brawls and even assassinations. As usual, McCullough tells a good story, describing political intrigue, social infighting and bloody battles with authoritative skill, interpolating domestic drama and even a soupcon of romance. The glossary alone makes fascinating reading; in it, for example, McCullough reasons that Roman men did not wear ``under-drawers.'' The narrative's measured pace, however, is further slowed by the characters' cumbersome names, which require concentrated attention. Those willing to hunker down for a stretch of close reading will be rewarded with a memorable picture of an age with many aspects that share characteristics ontemporaneous with our own. Maps and illustrations by the author. 300,000 first printing; BOMC main selection; author tour. (Oct.).
The author's narrative flows as easily as Father tiber . . . A grandly meaty historical novel . . . rich with gracefully integrated research and thundering to the beat of marching roman legions * Kirkus Reviews *
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