Rhonda Rosenheck holds a BA in English Literature and Rhetoric from Binghamton University and an MEd in Jewish Education from the Jewish Theological Seminary of America. She studied at Hebrew College in Newton, MA, completed a graduate fellowship at the Hebrew University in Jerusalem, and studied Applied Linguistics in a Master's Program at Nova Southeastern University.Rhonda's publications include a poetry chapbook titled Looking: Out, Up, In & Under Rocks (Elephant Tree House Press 2018), a self-published chapbook entitled Sin No More! A Biblical Sea Shanty (2020) and an illustrated book of humor titled Yiddische Yoga: OYsanas for Every Generation (ill., Dana Toons, Ben Yehuda Press, 2016). Retired from religious educational leadership and again from a copyediting business, Rhonda writes and operates a writer's retreat near the Mohawk River. She lives just outside Albany, NY.
"Most think of limericks as the landing zone for jokes, but
Rosenheck has elevated this accessible form by writing Biblical
limericks inspired by the first five books of the Hebrew Bible. I
delighted in the whimsical, thought provoking poetry created in
this unexpected format. Even without having studied the source
writing, I was touched by the messages. What a brilliant
creation!"-Linda D. Addison, award-winnng author, Horror Writers
Association (HWA) Lifetime Achievement Award recipient and Science
Fiction and Fantasy Poetry Association (SFPA) Grand Master.
"A truly delightful collection of limericks (to the eyes and the
ears)! Rhonda Rosenheck captures the essence of the textual bites
she chooses to explore, artfully distilling both narrative and
legal sections of the Five Books. The limericks often feel light
hearted, but upon closer examination, they ingeniously speak on two
levels - including a deeper one - perhaps unbeknownst to the
author. I was often inspired to search for the Torah verses
Rosenheck's poems interpret, and found myself reading them
differently than I did before."-Walter Herzberg, Assistant
Professor Emeritus, Hebrew Bible and Its Interpretation, Jewish
Theological Seminary of America
"Creativity makes the familiar new. Rhonda Rosenheck's limericks
push the reader away from reverence that keeps the Torah at a
distance. These poems create an intimacy that brings the holy texts
closer. Thank you, Rhonda."-Sister Francine Dempsey, Professor
Emeritus, College of St. Rose, activist and writer.
"Rhonda Rosenheck has done the impossible. By using limericks and
embracing their irreverent tone, she has created a biblical
commentary that is truly unique. Each chapter of the Torah is
distilled into its own limerick, leading the reader to reconsider
the meaning of the original text, and opening avenues for
interpretation that are both fun and insightful. Rhonda Rosenheck
knows the Hebrew Bible, and she knows that it can stand up to the
sometimes silly, sometimes snarky, but always insightful
scholarship packed into each one of these interpretive
jewels."-Rabbi Hillel Norry, spiritual leader, teacher, musician,
and martial artist
"Rhonda Rosenheck's The Five Books of Limericks sheds an
unexpected, creative, and unique light on the books of the Torah.
Written with such smart humor and engaging insight that even a
lapsed Methodist was not only entertained but educated."-Elizabeth
Massie, multi-award-winning author of novels, short fiction and
poetry
"Reading Rhonda Rosenheck is, always, like having a few drinks with
an eagle. The sort of people who think the particular is the
contrary of the universal also think the gimlet eye sees nothing
funny. They ought to read this book, and learn better. It's
personal and particular; its voice, specific. (Some of the meters,
scansions, and rhymes work in New-Yorkese but not in Received
Standard Texan ... at first ....) It's acute as a raptor's gaze ...
over a shot of wry on the rocks. If these subtle, genius limericks
don't expand your spirit, you need a new soul: because you need
this book. Buy it, and wait eagerly for the next."-Markham Shaw
Pyle, author of Tonight at the Morpheum: A Hospital Farce in Three
Acts
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