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The Flamethrowers
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About the Author

Rachel Kushner is the bestselling author of The Flamethrowers, a finalist for the National Book Award and a New York Times Top Ten Book of 2013; Telex from Cuba, a finalist for the National Book Award; and The Mars Room. She lives in Los Angeles.

Reviews

"Rachel Kushner writes dazzling, sexy, glorious prose. She is as brilliant on men and motorcycles as she is on art and film. The Flamethrowers is an ambitious and powerful novel."--Dana Spiotta, author of Eat the Document and Stone Arabia
"I loved Rachel Kushner's The Flamethrowers."--Jonathan Franzen "The New York Times Book Review "
"Rachel Kushner's fearless, blazing prose ignites the 70s New York art scene and Italian underground of The Flamethrowers."--Elissa Schappell "Vanity Fair "
"Rachel Kushner's second novel, The Flamethrowers, is scintillatingly alive, and also alive to artifice. It ripples with stories, anecdotes, set-piece monologues, crafty egotistical tall tales, and hapless adventures: Kushner is never not telling a story... it manifests itself as a pure explosion of now: it catches us in its mobile, flashing present, which is the living reality it conjures on the page at the moment we are reading... Kushner employs a[n]...eerie confidence throughout her novel, which constantly entwines the invented with the real, and she often uses the power of invention to give her fiction the authenticity of the reportorial, the solidity of the historical...Kushner watches the New York art world of the late seventies with sardonic precision and lancing humor, using Reno's reportorial hospitality to fill her pages with lively portraits and outrageous cameos...[Kushner's] novel is an achievement precisely because it resists either paranoid connectedness or knowing universalism. On the contrary, it succeeds because it is so full of vibrantly different stories and histories, all of them particular, all of them brilliantly alive."--James Wood "The New Yorker "
"The Flamethrowers unfolds on a bigger, brighter screen than nearly any recent American novel I can remember. It plays out as if on Imax, or simply higher-grade film stock...Ms. Kushner can really write. Her prose has a poise and wariness and moral graininess that puts you in mind of ....Robert Stone and Joan Didion...[Kushner has] a sensibility that's on constant alert for crazy, sensual, often ravaged beauty...persuasive and moving...provocative."--Dwight Garner "The New York Times "
"Life, gazed at with exemplary intensity over hundreds of pages and thousands of sentences precision-etched with detail--that's what The Flamethrowers feels like. That's what it is. And it could scarcely be better. The Flamethrowers is a political novel, a feminist novel, a sexy novel, and a kind of thriller...Virtually every page contains a paragraph that merits--and rewards--rereading."--Tom Bissell "Harper's "
"Rachel Kushner's new novel, The Flamethrowers, is a high-wire performance worthy of Philippe Petit. On lines stretched tight between satire and eulogy, she strolls above the self-absorbed terrain of the New York art scene in the 1970s, providing a vision alternately intimate and elevated...[Kushner is] a superb recent-historical novelist...20 brilliant pages [of The Flamethrowers] could make any writer's career a set piece of New York night life that's a daze of comedy, poignancy and violence...What really dazzles...is her ability to steer this zigzag plot so expertly that she can let it spin out of control now and then...The Flamethrowers concludes with two astonishing scenes: one all black, one all white, as striking as any of the desert photographs Reno aspires to shoot, but infinitely richer and more evocative. Hang on: This is a trip you don't want to miss."--Ron Charles "The Washington Post "
"[A] big, rich wonder of a novel... [Kushner's] polychrome sentences...are shot through with all the longing and regret you find in those of Thomas Pynchon, whose influence is all over this novel... a glittering, grave, brutally unsentimental book that's spectacularly written enough to touch greatness."--Craig Seligman "Bloomberg News "
"Exhilarating...it's impossible not to be pulled in by the author's sense of the period's vitality...the novel's brilliance is in its understanding of art's relationship to risk, and in its portrait of Reno's--and New York's--age of innocence."--Megan O'Grady "Vogue "
"[A] brilliant lightning bolt of a novel...The Flamethrowers is an entire world, intimately and convincingly observed, filled with characters whose desires feel true. It is also an uncannily perceptive portrait of our culture--psychologically and philosophically astute, candid about class, art, sex and the position of women--with a deadly accuracy that recalls the young Joan Didion, and that, despite the precisely rendered historical backdrop, gives the story a timeless urgency."--Maud Newton "NPR "
"Brilliant and exhilarating...Kushner fearlessly tackles art, death, and social unrest. In so doing, she has written the sort of relentless and immersive novel that forces the reader to look up and make sure the room hasn't disappeared around her."--Eugenia Williamson "The Boston Globe "
"Kushner can write like blazes."--Karen Long "The Cleveland Plain Dealer "
"Electric...addictive...smart and satisfying."--Kristy Davis "O, the Oprah magazine "
"Exhilarating, psychologically complex, and perfectly intense, this is a thrilling contemporary novel likely to become a cultural touchstone."--Emily Temple "Flavorwire "
"Rachel Kushner so deftly interweaves the story of an Italian industrialist with that of a young woman insinuating herself into the 1970s New York art scene that The Flamethrowers
slowly and seductively becomes a novel you just can't quit
."--Sherryl Connelly "New York Daily News "
"The Flamethrowers not only harnesses the energies of violent Italian politics; it also converts the intensity of radical New York visual art into shining, whirling prose."--Jimmy So "The Daily Beast "
"I didn't know what it could possibly look like for something to be a super smart sexy novel; now I know. The Flamethrowers is its own category of Wow, and Kushner is the champion of something strange, wonderful and real."--Rivka Galchen, author of Atmospheric Disturbances
"Oscillating between the hedonistic New York artworld and Italy in the midst of the Years of Lead, The Flamethrowers is that rare thing, a novel that uses recent history not as a picturesque backdrop, but as a way of interrogating the present. Kushner's urgent prose and psychological acuity make this one of the most compelling and enjoyable novels I've read this year."--Hari Kunzru, author of Gods Without Men
"The controlled intensity and perception in Rachel Kushner's novels mark her as one of the most brilliant writers of the oncoming century. She's going to be one we turn to for our serious pleasures and for the insight and wisdom we'll be needing in hard times to come. Rachel Kushner is a novelist of the very first order. The Flamethrowers follows Telex from Cuba as a masterful work."--Robert Stone
"The Flamethrowers lives up to its incendiary title--it is a brilliant, startling truly revolutionary book about the New York art world of the seventies, Italian class warfare, and youth's blind acceleration into the unknown. Kushner is a genius prose stylist, and her Reno is one of the most fully realized protagonists I've ever encountered, moving fluidly from the fringe of the fringe movement to the center of the action. I want to recommend this stunning book to everyone I know."--Karen Russell, author of Swamplandia!
"The Flamethrowers is about machines (motorcycles and guns, but also cameras) and the way they revolutionized the last century (its politics and violence, but also its art)...[Kushner's] style is a rare blend of romanticism and historicism--with a sense of precision."--Christian Lorentzen "Bookforum "
"The Flamethrowers is an ambitious and serious American novel. The sentences are sharp and gorgeously made. The scope is wide. The political and the personal are locked in a deep and fascinating embrace. Kushner writes about excitement and tension with gusto and grace; she describes Italy and New York with a dark and savvy irony."--Colm T ib n, author of Brooklyn and The Testament of Mary
"In her smash-hit debut, Telex from Cuba (2008), Kushner took on corporate imperialism and revolution, themes that also stoke this knowing and imaginative saga of a gutsy yet na ve artist from Nevada... Kushner, with searing insights, contrasts the obliteration of the line between life and art in hothouse New York with life-or-death street battles in Rome. Adroitly balancing astringent social critique with deep soundings of the complex psyches of her intriguing characters, Kushner has forged an incandescently detailed, cosmopolitan, and propulsively dramatic tale of creativity and destruction."--Booklist, STARRED review
"This rich second novel from Kushner takes place in late-'70s New York City and Italy...Kushner's psychological explorations of her characters are incisive, the novel is peppered with subtle '70s details, and it bursts with you-are-there depictions of its time and places."--Publishers Weekly, STARRED review
"A novel of art and politics but also of bikes and speed...exhilarating."--Kirkus Reviews, STARRED review

This rich second novel from Kushner (Telex from Cuba) takes place in late-'70s New York City and Italy. Reno is a young filmmaker "shopping for experiences," who, as the novel opens, is attempting to set a land-speed record on her Moto Valera motorcycle in Nevada, only to crash instead. A flashback to New York finds her mixing with a group of artists, among whom she meets Sandro Valera, whose wealthy family manufactures the Moto Valera. Soon they are romantically entwined, and Reno accompanies Sandro on a visit home to Italy. She risks alienating the Valeras by going to their factory to film labor unrest, only to catch Sandro there in flagrante delicto with his cousin Talia. Distraught, she flees with Valera family servant Gianni to Rome, where she discovers Gianni is involved with a volatile protest movement. Snippets from the life of Sandro's father's run in intriguing contrast to Reno's story, presenting his WWI experiences, childhood in Alexandria, Egypt, and the founding of his company. Kushner's psychological explorations of her characters are incisive, the novel is peppered with subtle '70s details, and it bursts with you-are-there depictions of its time and places. Agent Susan Golomb, Susan Golomb Agency. (Apr.) (c) Copyright PWxyz, LLC. All rights reserved.

Nicknamed for her birthplace, Reno loves speed-so much so that she hopes to set a world record racing her motorcycle on the Nevada salt flats. But she's also there to create a work of art with tire-track imagery, for Reno is indeed an artist, having moved to New York to pursue her interests. Along the grubbier edges of the city, she's met the movers, shakers, and hangers-on of the cutting-edge art scene of the late 1970s, including Sandro Valera, scion of an Italian family whose wealth rests on a vast tire and motorcycle empire. Scornful of his family, the older Sandro is a successful artist and quite a catch for Reno, who despite her tough-as-leather sensibility has something to learn about the cold, manipulative world. And learn she does when she heads to Italy with a reluctant Sandro, having fallen into what looks to be a great opportunity with the Valera racing team while in Nevada. Striking workers and fringe radicals are only a part of her education. VERDICT National Book Award finalist Kushner (Telex from Cuba) presents an incisive, enthralling portrait of a young woman finding her way. [See Prepub Alert, 10/15/12.]-Barbara -Hoffert, Library Journal (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

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