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The Fleabag [Special Edition]
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About the Author

Phoebe Waller-Bridge is an actor, playwright and screenwriter. Her first play, Fleabag, premiered at the 2013 Edinburgh Festival Fringe, performed by Phoebe Waller-Bridge herself, before transferring to Soho Theatre, London, for several successful runs, followed by a UK tour. It won a Fringe First Award, the Most Promising New Playwright and Best Female Performance at the Off West End Theatre Awards, The Stage Award for Best Solo Performer and the Critics' Circle Award for Most Promising Playwright. A television version of Fleabag was broadcast on BBC3/Amazon in 2016, again starring the author. It became one of the most talked and written about shows of the year, winning several awards, including a BAFTA for best actress in a comedy. Other writing for televison includes Killing Eve (BBC America, 2018) and Crashing (E4, 2016). Her acting credits include 2nd May 1997 (Bush Theatre), Tribes (Royal Court Theatre), Mydidae (Soho Theatre) and the award-winning film The Iron Lady. She is co-Artistic Director of acclaimed new writing company DryWrite.

Reviews

'Throbs with a concentrated, combustible vitality... Fleabag keeps all contradictory shards and shades of feeling in play at the same time. That's why it's so gloriously disruptive' The New York Times; 'Never has being a modern woman seemed so painfully funny, brutal, and hopeless all at once' The Atlantic; 'Filthily funny... the character is a fascinatingly complex creation' Guardian; 'Sucker-punch funny... I've never seen a play quite like it' Scotsman; 'It has the pinpoint observational comedy of great standup, the fearless honesty and shamelessness of a raw confessional and the subtlety to draw you in... both gut-bustingly funny and gut-wrenchingly sad' The Hollywood Reporter; 'Filthy, funny, snarky and touching' Telegraph; 'A legitimately hilarious show' The New Yorker; 'Frank and sometimes brutally funny... devastatingly good' The Times; 'Phoebe Waller-Bridge's one-woman show Fleabag is unbelievably rude, astoundingly filthy and she's almost certainly going to go to hell for it' Time Out; 'Penetrating, pitch-black and nastily brilliant' Metro; 'Funny, vibrant, and blunt as a hammerhead' New York Magazine

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