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From Boal to Jana Sanskriti
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Table of Contents

Foreword Eugène van Erven

Preface Ralph Yarrow



PART 1: Workshops Sanjoy Ganguly

Developing Boal’s Games into Social Metaphors

Index of Exercises

Introductory Exercises



  • While Walking




  • Feel the Protagonist




  • Express Emotion




  • Variation, Finding Oppression




  • Indian Parliament




  • Fish Society




  • Game of Power




  • Expression with Body


  • 1



  • Joint Sculpture




  • Circles of Emotion




  • Sculpting in Pairs, plus Variation


  • 2



  • Human Knot, plus Variation




  • Variations of Grandma’s Footsteps






    • The Deer and the Tiger




    • Crossing the Border




  • Spontaneous Group Sculptures




  • Development of Status Game


  • 3



  • Forum in a circle




  • Variation on Columbian Hypnosis, plus further Variation




  • Blind Game




  • Storytelling


  • 4



  • Catch in the Circle




  • Newspaper Theatre




  • Points of Contact




  • Invisible Friend




  • Soundscape and Images




  • Characters’ Stories


  • 5



  • Moving as Still Image




  • Experiencing the Lives of Others




  • Glass Cobra becomes Trade Union Game


  • PART 2: Interviews with Sanjoy Ganguly and short essays



  • Interview by Robert Klement



    Interview by Robyn Kirkby



    Interview by Clément Poutot



    Interview by Joschka Kȍck



    Interview by Clément Poutot, on Vivekananda



    Sanjoy Ganguly: The Political Aesthetic of Jana Sanskriti: Theatre




  • as an Art of Creating Connection

    Coda: Sanjoy Ganguly: ‘Aesthetics as Transformation’



    Postscript: Sanjoy Ganguly: A critical space: Forum, Jokering and the problem of sympathy

    Letters from Augusto Boal and Sanjoy Ganguly

  • About the Author

    Sanjoy Ganguly is the founder and Artistic Director of the Jana Sanskriti Centre for the Theatre of the Oppressed, in West Bengal, India; considered by Boal the chief exponents of his methodology outside his native Brazil. He is the author of Jana Sanskriti: Forum theatre and democracy in India (2010).

    Ralph Yarrow is Emeritus Professor of Drama and Comparative Literature at the University of East Anglia.

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