Kyung-Sook Shin is one of South Korea's most widely read and acclaimed novelists. She is the author of I'll Be Right There and Please Look After Mom, which was a New York Times bestseller and a Man Asian Literary Prize winner. Ha-Yun Jung's writing has appeared in The Harvard Review, Best New American Voices, and other publications. She is the recipient of a PEN Translation Fund Grant and a Radcliffe Institute for Advanced Study fellowship. She is on the faculty at Ewha Womens University in Seoul, Korea.
"Shin writes about a time and setting that may seem remote to many Americans, but in many ways her specificity is universal; we all have a monster that has no face, and which we try to avoid. Shin paints her own monster for us." -- New York Times Book Review "Kyung-sook Shin's work often inhabits the space between story and reality. Though the autobiographical novel is a well-worn genre, Shin handles it with the sort of effortless ruthlessness a story like this requires, without letting either the narrator or the reader rest easy about the line between truth and fiction. It's no wonder that despite being grounded in signposts of the everyday, The Girl Who Wrote Loneliness has the tenor of a ghost story. Shin anchors her narrator in vivid details rather than narrative absolutes. A haunting, remarkable novel." -- NPR "In The Girl Who Wrote Loneliness, Shin opens her nation's transition and her people's struggle to the world that looked away for all those years. Please Look After Mom, Ms. Shin's poignant examination of how Korea's evolution has impacted the different generations, gave birth to these other translations. But her later works are still more profound. While South Korea is but a whisper of its former self, Ms. Shin's writing grabs hold of those memories and brings them loudly to the surface." -- The Economist "Intimate and hauntingly spare. A raw tribute." -- The New York Times Book Review "Shin's unemotional delivery and understated yet devastating perspective on her country's expectations and norms are familiar from her earlier novels, but this book's grim glimpse into the lives of factory girls is notably haunting. There's a hypnotic quality to this melancholy coming-of-age story described as 'not quite fact and not quite fiction.' Allusive and structurally sophisticated, it melds Shin's characteristic themes of politics, literature, and painful experience into a mysteriously compelling whole." -- Kirkus Reviews "This work stands the test of time. Isolation and suicide among young adults worldwide have only tragically multiplied, making The Girl Who Wrote Loneliness urgently auspicious. Described at beginning and end as "not quite fact and not quite fiction," this book is essential reading." -- Library Journal, starred review "Affecting. How does an author write about a troubled land when her sorrow is so great? Shin's novel provides a powerful record of the time." -- The Minneapolis Star Tribune "The most moving and accomplished, and often startling, novel in translation I've read in many seasons. Every sentence is saturated in detail." -- The Wall Street Journal "Haunting. The novel's language, so formal in its simplicity, bestows a grace and solemnity." -- The Boston Globe "A moving portrayal of the surprising nature, sudden sacrifices, and secret reveries of motherhood." -- Elle "The tone is as dreary as its topic, but it is a fictional account of what absolutely must be told and known. Intense but revealing historical fiction that the author calls something between 'not quite fact, not quite fiction.'" -- Historical Novels Society