The 'Book of the Fair' of the 2019 London Book Fair, with rights sold in over 40 languages, a memoir of fishing for eels, a close yet distant father-son relationship and a riveting journey into the story of the world's most mysterious fish.
Patrik Svensson (b. 1972) is an arts and culture journalist at Sydsvenskan newspaper. He lives with his family in Malmö in southern Sweden. The Gospel of the Eels is his first book.
The best mysteries are those science hasn’t yet cracked, and top of
the list comes the sex life of eels.
*The Times*
Extraordinary . . . Such is his skill that the echoes and parallels
he finds never seem stretched. It’s as if the eel’s mysteriousness
is snaking out, beyond its extraordinary life cycle and uncanny
ability to confound scientists, and into the writing.
*Observer*
This beguiling book . . . completely won me over to these
astonishing, mysterious creatures . . . Beautifully written, The
Gospel of the Eels left me in awe of the animal.
*Sunday Times ‘Nature Books of the Year’*
A gorgeously evocative blend of science, nature writing and family
memoir
*Guardian*
What a joy! Patrick Svensson’s sinuous weaving of natural history,
philosophy, psychology and autobiography is as compelling and
rewarding as a silver eel’s return to the Sargasso Sea. I loved
every moment.
*Isabella Tree, author of Wilding*
I’m still not sure I like eels, but I loved this book.
*Sunday Times*
In this lovely, thoughtful blend of natural science and memoir,
Patrik Svensson elevates the European eel . . . to an almost
mythical status . . . We must hope this marvellous book is not the
eel's eulogy.
*Mail on Sunday*
Just as the eel glides between freshwater and salt, Svensson’s book
swims in the seas of both natural history and memoir. Svensson’s
father took the young Patrik eel fishing often, and their
beautifully rendered nocturnal outings have the feel of occult
ritual.
*New York Times*
Svensson’s book, like its subject, is a strange beast: a creature
of metamorphosis, a shape-shifter that moves among realms. It is a
book of natural history, and a memoir about a son and his father.
It is also an exploration of literature and religion and custom,
and what it means to live in a world full of questions we can’t
always answer.
*New Yorker*
There’s an underlying theme here that made me think science is
about discovery, not always about perfect answers.
*Forbes, ‘Best Summer Reads For Those Stuck Inside Working
Remotely’*
Drawing from literature, science and his own studies, Svensson
inspires readers to see eels in a whole new way.
*Los Angeles Times, ‘21 new and classic books to keep you in touch
with the natural world’*
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