CHOICE Outstanding Academic Title (2018)
Acknowledgements
Introduction
Chapter 1: The Shadow Speaks
Chapter 2: The Vital Shadow
Chapter 3: The Look Elsewhere Shadow
Chapter 4: The Completing Shadow
Chapter 5: The Independent Shadow
Chapter 6: City of Shadows
Epilogue
Bibliography
Index
William Chapman Sharpe is a Professor of English at Barnard College. His previous books include New York Nocturne: The City After Dark in Literature, Painting, and Photography, 1850-1950 (2008) and Unreal Cities: Urban Figuration in Wordsworth, Baudelaire, Whitman, Eliot, and Williams (1990).
"Grasping Shadows is a passionately argued and truly
interdisciplinary work of scholarship. Attentive readers will
indeed be transformed by this new lens through which to perceive
the formal nuances in art and literary narrative." -- Allison
Young, Louisiana State University, College of Art Association
"Using literature, art, films, and photographs, Sharpe elucidates
why shadows are important, their meanings and how they have changed
over time, and why shadows have continued to play such a crucial
role in how humans interpret what they see. He presents a typology
for shadows and illustrates it with skill. This is a brilliant
book. It ranges in inquiry from literature to art-from cave
paintings to modern and contemporary works-presenting what one sees
and why
it is meaningful. Sharpe's analysis of these various art forms is
always satisfying. The writing is dense and scholarly, but the
result is a book that will prevent readers from ever again taking
a
shadow for granted. Handsomely illustrated, with many images in
color. Summing Up: Essential." --CHOICE
CHOICE Outstanding Academic Title (2018)
"This is a significant, thoroughly researched and highly-perceptive
study. Its scope, nuanced articulation and broad accessibility
identify it as an ideal selection for many types of libraries. ...
Highly recommended for many levels of readership." -- Ann C.
Kearney, ARLIS/NA Reviews
"Moving deftly between literature, painting, photography, film and
cultural history, William Sharpe casts a light on a much overlooked
aesthetic and cognitive phenomenon. His nuanced readings of a rich
panoply of speaking shadows compels us to rethink what is both
ordinary and intangible. At the end of this fascinating journey
through the dark side of art we recognize that only with and
alongside shadows do things take shape." --Elisabeth Bronfen,
University of
Zurich
"This is a brilliant book. It ranges in inquiry from literature to
art-from cave paintings to modern and contemporary works-presenting
what one sees and why it is meaningful. Sharpe's analysis of these
various art forms is always satisfying. The writing is dense and
scholarly, but the result is a book that will prevent readers from
ever again taking a shadow for granted. Handsomely illustrated,
with many images in color. ... Summing Up: Essential.
Lower-division undergraduates through faculty and professionals;
general readers." --D. Schuyler, CHOICE
"Vision uses shadows for understanding the scene in front of our
eyes, but it also goes a long way trying to edit them out, so that
we seldom pay attention to them. William Sharpe's masterful book
documents how artists tried to rescue shadows from visual oblivion,
at the same time bestowing high symbolic significance on them. It's
a wonderful and surprising exploration of the interplay between
nature and culture." --Roberto Casati, Institut Jean Nicod
"Ranging from literature and art history to photography and film,
probing with equal acuity the literal, graphic, and figurative
meanings of shadow, Grasping Shadows makes a compelling case for
his central contention that all shadows represented in pictures or
words either express, point to, complete, or break free of the
objects that cast them. As a bonus, this extraordinary book is
studded not only with figures but with an astonishing number of
color
plates." --James Heffernan, Dartmouth College
"A brilliant book on shadows, sure to become a classic. Grasping
Shadows is a fascinating, profound and delicate exploration of how
evanescence is essential to western art and literature." --Nathalie
Cochoy, University of Toulouse
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