Promotional Information

A new edition to celebrate the 40th anniversary of first publication of Pynchon's classic book.

About the Author

Thomas Pynchon was born in Long Island, USA in 1937. He took a scholarship at Cornell University and studied Engineering before switching to study English. He has served in the United States Navy and worked as a technical writer at Boeing.

Thomas Pynchon is the author of V., The Crying of Lot 49, Gravity's Rainbow, Slow
Learner, a collection of short stories, Vineland, Mason & Dixon. Against the Day, and most recently Inherent Vice. He received the national book award for Gravity's Rainbow in 1974.

Reviews

The best seller described as the kind of Ulysses which Joyce might have written if he had been a Boeing engineer with a fetish for quadrille paper
*Irish Examiner*

Pynchon’s masterpiece.
*Guardian*

Thomas Pynchon gives us 20th-century fiction's finest memento mori.
*The Times*

[A] masterpiece
*ShortList*

Gravity’s Rainbow will deeply reward any intelligent reader’s focus. It’s a singularly miraculous achievement of post-war literature
*Telegraph*

I read this at 19 or so and just thought, like, f*ck, wow: this is the marker, the pace-setter for the contemporary novel
*Tom McCarthy, author of 'C'*

Thomas Pynchon, the greatest, wildest and most infuriating author of his generation.
*Guardian*

Pynchon is both the US's most serious and most funny writer.
*Independent*

Gravity's Rainbow is bonecrushingly dense, compulsively elaborate, silly, obscene, funny, tragic, pastoral, historical, philosophical, poetic, grindingly dull, inspired, horrific, cold, bloated, beached and blasted…[Pynchon’s] novel is in this sense a work of paranoid genius, a magnificent necropolis that will take its place amidst the grand detritus of our culture. Its teetering structure is greater by far than the many surrounding literary shacks and hovels.
*New York Times*

He is almost a mathematician of prose, who calculates the least and the greatest stress each word and line, each pun and ambiguity, can bear, and applies his knowledge accordingly and virtually without lapses, though he takes many scary, bracing linguistic risks. Thus his remarkably supple diction can first treat of a painful and delicate love scene and then roar, without pause, into the sounds and echoes of a drudged and drunken orgy.
*New Yorker*

The best seller described as the kind of Ulysses which Joyce might have written if he had been a Boeing engineer with a fetish for quadrille paper * Irish Examiner *
Pynchon's masterpiece. -- John Sutherland * Guardian *
Thomas Pynchon gives us 20th-century fiction's finest memento mori. -- John Sutherland * The Times *
[A] masterpiece -- Marc Chacksfield * ShortList *
I read this at 19 or so and just thought, like, f*ck, wow: this is the marker, the pace-setter for the contemporary novel -- Tom McCarthy, author of 'C'