About the Author

Jodi Cranston is Professor of the History of Art at Boston University. She is the author of The Muddied Mirror: Materiality and Figuration in Titian’s Later Paintings, also published by Penn State University Press.

Reviews

“This wide-ranging exploration of the green world, pastoral, or ‘second nature’ of Venice helps rethink the complex and intricate world of pastoral, its production, and its experience. From palace and villa gardens to paintings, eclogues and plays, and sculptural figures, Jodi Cranston sets out the fictional and the actual modes of pastoralism in the light of both contemporary writers and modern critics who have extended their versions of pastoral.”—John Dixon Hunt, author of A World of Gardens

“With elegant concision, Jodi Cranston shows how artists of different facture configured the proximities of urban and green worlds in and about Venice in the quattrocento and cinquecento. Casting an informed and inspired gaze on gardens, landscapes, pastoral and elegiac poetry, vedute, city views, and illustrated books, she reconsiders how Venice led artists to depict and even internalize tensions and shifting lines of division between city, country, and the world at large. Exhaustively researched, Green Worlds is a major contribution both to early modern studies and to a burgeoning and much-needed field of cultural ecology.”—Tom Conley, author of An Errant Eye: Poetry and Topography in Early Modern France

“This rich and illuminating study bridges a gap in the art-historical scholarship, namely, that of a comprehensive treatment of early Italian pastoral painting that takes into its purview complex associations between and among geographical localities, pastoral poetry, painting, sculpture, and, importantly, both imagined and real green spaces. Cranston’s original and valid insights emerge in every chapter; her range of reference earns her the reader’s confidence, while her handling of the various motives and interpretations of the elusive pastoral ‘mode’ is creative, subtle, and, ultimately, convincing.”—Kristin Phillips-Court, author of The Perfect Genre: Drama and Painting in Renaissance Italy

“This wide-ranging book, which is Cranston’s third, combines art history, literary theory, and cultural geography to provide a fresh take on the importance of green spaces and the pastoral mode in Renaissance Venice.”—Chriscinda Henry Renaissance and Reformation