Suzanne Collins' debut novel, Gregor the Overlander, the first book in The Underland Chronicles, received wide praise both in the United States and abroad. The series has been a New York Times bestseller and received numerous accolades. Also a writer for children's television, Suzanne lives with her family in Connecticut.
In this penultimate volume in "The Underland Chronicles," Collins begins to gather herself for the grand finale. Gregor has been taking echolocation lessons with Ripred, the charismatic and violent outlaw rat, and after one session he introduces Gregor to Bane, the white-rat pup Gregor spared in defiance of prophecy (Gregor and the Prophecy of Bane, 2004). Bane is now some eight feet tall and still growing, and thoroughly, dangerously mad. Shortly after this introduction, both Ripred and Bane go missing, and Queen Luxa discovers that mice who succored her in the jungle (Gregor and the Curse of the Warmbloods, 2005) have also disappeared, leaving only one enigmatic Mark and Hazard, Gregor's little sister Boots and the faithful cockroach Tornp. A customarily eventful trip through Hades Hall to the Firelands leads the band to both the mice and Bane, who has his own Final Solution in mind for the entire mouse race. The cliffhanger ending will leave readers gasping as Gregor goes chasing another prophecy, the direst yet.
Suzanne Collins Gregor and the Marks of Secret: Book Four in the Underland Chronicles
341 pp. Scholastic 5/06 ISBN 0-439-79145-6 $16.99 g
"So this is how a war starts.... Not with two armies facing off, waiting for the signal to charge.... It begins much more quietly. In a room, on a field, in a remote tunnel when someone who has power decides the time has come." In this fourth installment, twelve-year-old Gregor returns to the bizarre subterranean land of archaic violet-eyed humans and giant rodents, bats, insects, and other creatures. He and his fellow Underland battle veterans set out to answer a call for help from the mice, and their quest leads to some grim discoveries -- including an abandoned mouse colony, symbols of death etched in stone and blood, and, most gruesome of all, a mass grave. Collins keeps the tension and the stakes high;
vivid description, expert pacing, and subtle cha