Chimamanda Ngozi Adichie was born in Nigeria in 1977. Her first novel 'Purple Hibiscus' was published in 2003 and was longlisted for the Booker Prize. Her second novel 'Half of a Yellow Sun' won the 2007 Orange Prize for Fiction. Her work has been selected by the Commonwealth Broadcasting Association and the BBC Short Story Awards and has appeared in various literary publications, including Zoetrope and The Iowa Review.
Having come out of the gate fast with the prize-winning Purple Hibiscus, Adichie returns with a second novel set during Biafra's struggle for independence. With an East Coast tour. Copyright 2006 Reed Business Information.
Praise for 'Purple Hibiscus': '"Purple Hibiscus" is the best debut I've read since Arundhati Roy's "The God of Small Things".' Jason Cowley, literary editor of the New Statesman 'A sensitive and touching story of a child exposed too early to religious intolerance and the uglier side of the Nigerian state.' J. M. Coetzee 'This is the best new novel to have come out of Africa in some years. Like its young protagonist, it is a work of undemonstrative but rare feeling and intelligence; and it gives us one of the most fascinating and perturbing patriarchs of recent literature. But its special magic lies in conveying that, however devastated a childhood might be, it still has an unrepeatable, dream-like quality.' Amit Chaudhuri
When the Igbo people of eastern Nigeria seceded in 1967 to form the independent nation of Biafra, a bloody, crippling three-year civil war followed. That period in African history is captured with haunting intimacy in this artful page-turner from Nigerian novelist Adichie (Purple Hibiscus). Adichie tells her profoundly gripping story primarily through the eyes and lives of Ugwu, a 13-year-old peasant houseboy who survives conscription into the raggedy Biafran army, and twin sisters Olanna and Kainene, who are from a wealthy and well-connected family. Tumultuous politics power the plot, and several sections are harrowing, particularly passages depicting the savage butchering of Olanna and Kainene's relatives. But this dramatic, intelligent epic has its lush and sultry side as well: rebellious Olanna is the mistress of Odenigbo, a university professor brimming with anticolonial zeal; business-minded Kainene takes as her lover fair-haired, blue-eyed Richard, a British expatriate come to Nigeria to write a book about Igbo-Ukwu art-and whose relationship with Kainene nearly ruptures when he spends one drunken night with Olanna. This is a transcendent novel of many descriptive triumphs, most notably its depiction of the impact of war's brutalities on peasants and intellectuals alike. It's a searing history lesson in fictional form, intensely evocative and immensely absorbing. (Sept. 15) Copyright 2006 Reed Business Information.