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Table of Contents

Preface to the first edition; Preface to the sixteenth edition; 1. Introduction; 2. Key, or tonality; 3. The general laws of part-writing; 4. The diatonic triads of the major key; 5. The diatonic triads of the major key (continued); 6. The inversions of the triads of a major key; 7. The minor key: its diatonic triads and their inversions; 8. The chord of the dominant seventh; 9. Key relationships - modulation to nearly related keys - false relations; 10. Unessential discords (I) - auxiliary notes, passing notes, and anticipation; 11. Unessential discords (II) - suspensions; 12. The chord of the dominant ninth; 13. The chord of the dominant eleventh; 14. The chord of the dominant thirteenth; 15. Chromatic triads - the chromatic scale; 16. Chromatic chords of the seventh; 17. Chromatic chords of the ninth - false notation - enharmonic modulation; 18. Chromatic chords of the eleventh and thirteenth; 19. The chord of the augmented sixth; 20. Pedals; 21. Harmony in fewer and more than four parts; Appendix A. The ecclesiastical modes; Appendix B. The harmonic series; Analytical key to the exercises in the sixteenth and subsequent editions of Harmony: Its Theory and Practice.

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The 1903 sixteenth, substantially revised edition of the Victorian music scholar Prout's classic text on harmony, first published in 1889.

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