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Haroun and the Sea of Stories
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About the Author

Salman Rushdie is the author of twelve novels-Grimus, Midnight's Children (for which he won the Booker Prize and the Best of the Booker), Shame, The Satanic Verses, Haroun and The Sea of Stories, The Moor's Last Sigh, The Ground Beneath Her Feet, Fury, Shalimar the Clown, The Enchantress of Florence, Luka and the Fire of Life, and Two Years Eight Months and Twenty-Eight Nights-and one collection of short stories: East, West. He has also published four works of nonfiction-Joseph Anton, The Jaguar Smile, Imaginary Homelands, and Step Across This Line-and co-edited two anthologies, Mirrorwork and Best American Short Stories 2008. He is a member of the American Academy of Arts and Letters and a Distinguished Writer in Residence at New York University. A former president of PEN American Center, Rushdie was knighted in 2007 for services to literature.

Reviews

In a contemporary fable filled with riotous verbal pranks, Haroun, who unintentionally stopped time when he froze his father's esteemed storytelling ability, seeks to undo his error on a quest through a magical realm. ``As eloquent a defense of art as any Renaissance treatise . . . saturated with the hyperreal color of such classic fantasies as The Wizard of Oz and Alice in Wonderland ,'' said PW. (Nov.)

Rashid Khalifa, a renowned storyteller, has lost his touch. Once an ``Ocean of Notions,'' he is now ``The Shah of Blahs.'' Haroun, Rashid's son, embarks on an epic quest to restore his father's creativity. One of the problems is environmental: the pollutants of modern civilization have clouded the once-clear streams of story. Another is conspiratorial: the Union of Tight Lips, minions of the evil Khattam-Shud, confound communication by switching on rows of ``darkbulbs.'' Rushdie's first book since the controversial Satanic Verses ( LJ 12/88) is more a postmodern fairy tale in the style of Angela Carter or John Barth than a traditional novel. The story is allegorical rather than realistic, the characters emblematic and two-dimensional. Poignant parallels between Rashid's predicament and Rushdie's own situation are what hold the reader's interest. An amusing but lightweight entertainment. Previewed in Prepub Alert, LJ 9/15/90.-- Edward B. St. John, Loyola Law Sch . , Los Angeles

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