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Heart of the Brush
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Its history, techniques, aesthetics, and philosophy-with an in-depth practical guide to understanding and drawing 150 characters

About the Author

KAZUAKI TANAHASHI is an accomplished Japanese calligrapher, Zen teacher, author, and translator of Buddhist texts from Japanese and Chinese to English, most notably works by Dogen. He first met Shunryu Suzuki in 1964, and upon reading Suzuki's book Zen Mind, Beginner's Mind he stated, "I could see it's Shobogenzo in a very plain, simple language." He has helped notable Zen teachers author books on Zen Buddhism, such as John Daido Loori. A fellow of the World Academy of Art and Science, Tanahashi is also an environmentalist and a peace worker.

Reviews

"Heart of the Brush is many things, and all of them astonishing: a rich historical compendium; a subtle object of contemplation; an inspiring instructional manual; a profound spiritual practice; a true artist's testament; a stunning work of art. And it's become a companion, as well. The book now lives on my work table, and every morning I turn at random to a different character, taking a moment to study the form and meaning, and then letting it inspire me throughout the day."--Ruth Ozeki, author of Tale for the Time Being "I have always felt the power of a single ideograph by a master hanging in a zendo, but I understood little else. This book is a gift, illuminating the approach, the meaning, the possibility, the actor and the action; the stroke, the mark, the dancer and the dance. We become rooted in calligraphy's history and then carried beyond that--smack into the present moment. Kaz Tanahashi and his work are a transcultural treasure."--Natalie Goldberg, author of Writing Down the Bones and The Great Spring

"There are several books on how to do East Asian calligraphy, but Heart of the Brush by Kazuaki Tanahashi is clearly the best. His explanations are clear and lively, his multitude of brushwork examples are thorough and generous, and he demonstrates how to do each character stroke by stroke. In addition, he makes the availability of different scripts an exciting opportunity rather than an overwhelming burden. In effect, Tanahashi invites us into many aspects of the dynamic and wide-ranging world of calligraphy, and we can understand why it has been considered the highest of all art forms."--Stephen Addiss

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