From the bestselling author of Breasts and Eggs and international literary sensation Mieko Kawakami, comes a sharp and illuminating novel about a teenage boy subjected to relentless bullying.
Mieko Kawakami is the author of the internationally best-selling novel Breasts and Eggs, a New York Times Notable Book of the Year and one of TIME's Best 10 Books of 2020, and the highly-acclaimed Heaven, her second novel to be translated and published in English, which Oprah Daily described as written "with jagged, visceral beauty." Born in Osaka, Japan, Kawakami made her literary debut as a poet in 2006, and in 2007 published her first novella, My Ego, My Teeth, and the World. Known for their poetic qualities, their insights into the female body, and their preoccupation with ethics and modern society, her books have been translated into over twenty languages. Kawakami's literary awards include the Akutagawa Prize, the Tanizaki Prize, and the Murasaki Shikibu Prize. She lives in Tokyo, Japan.
Taking two outcast teens as its unhappy protagonists, it is an
expertly told, deeply unsettling tale of adolescent violence that
will, no doubt, only grow the author's fan base
*Vogue*
This is the real magic of Heaven, which shows us how to think about
morality as an ongoing, dramatic activity.
*New Yorker*
To read Heaven, by the author of Breasts and Eggs, and newly
translated into English from Japanese by Sam Bett and David Boyd,
is to bear witness to an unrelenting horror film of one boy’s
youth
*The Washington Post*
The second novel to appear in English by the bestselling Japanese
author Mieko Kawakami is tauter and even more perceptive than its
predecessor . . . Heaven is less than half the length and holds
double the emotional force
*New Statesman*
For me this is a perfect novel, and one I know I will return to
before long
*Megan Nolan, author of Acts of Desperation*
Heaven is a thoughtful novel about the value of the flaws that make
us who we are
*Literary Review*
Short but assured. . .by the end, the reader is so dizzily absorbed
in its visceral details and philosophical complexity that, when the
twist comes, it hits you with a strange and unexpected force
*Financial Times*
Impeccably translated by Sam Bett and David Boyd, the book is full
of masterly set pieces of violence, scenes of senseless bullying so
lucid you can almost feel the pain yourself . . .
*New York Times Book Review*
Heaven is told with astonishing frankness and economy. It will cut
through all your defences down to every layer of fear, isolation,
hope and need you’ve ever felt . . . Mieko Kawakami is a genius
*Naoise Dolan*
A raw, painful, and tender portrait of adolescent misery,
reminiscent of both Elena Ferrante's fiction . . . I cannot, in
good conscience, endorse it without a warning: This book is very
likely to make you cry
*NPR*
Brilliant . . . This captivating, quietly devastating book is about
the relationship between two school misfits. The same
vulnerabilities that expose them to their tormentors allow them to
see one another with a pure sort of attention
*New Statesman*
In this horror film, oblivious authority figures walk on by as you
grope for breath, wondering what it even means to be alive and
free
*Independent*
Simple and profound, Heaven is an undeniable masterpiece
*Mitsuyoshi Numano*
A poignant odyssey into the haunted caverns of adolescence . . .
Kawakami writes with jagged, visceral beauty about those early
antagonists we carry around in our heads, scars we bear into
adulthood, ‘caught in the undertow’ of hormones and sorrow
*Oprah Daily*
Mieko Kawakami pulls from the all too familiar places we learn to
accept as normal in our youth and gives them to us to reflect on as
adults in a painful yet necessary way. Even if we could never learn
the absolute truths behind humans' capacity for violence as well as
empathy, we are certainly closer now with Heaven
*An Yu, author of Braised Pork*
Kawakami unflinchingly takes the reader through the abyss of
depraved, dehumanizing behavior with keen psychological insight,
brilliant sensitivity, and compassionate understanding. With this,
the author’s star continues to rise
*Publishers Weekly*
Mieko Kawakami has spun a poignant tale on the theme of bullying .
. . Heaven is a tour de force
*Tokyo Shimbun*
Heaven covers new terrain, masterfully broadening the literary
landscape
*Yomiuri Shimbun*
Kawakami has a unique knack for burrowing into discomfort, and she
does it in a startlingly graceful way. Like her last novel—an
unsparing treatise on the pressures of being a woman in
male-dominated Japan—this book isn’t for the fainthearted. Told
from the perspective of a 14-year-old boy in present-day Japan,
Kawakami’s tale follows the volatile lives of two teenagers
relentlessly bullied by their peers . . . An unexpected classic
*Kirkus*
Rises above the philosophical questions at its depths and delivers
the reader to a devastating conclusion
*Elle Japan*
Kawakami’s powerful and unassuming novel explores horrific accounts
of bullying in a Japanese school . . . Her sensitive, evocative
storytelling sets her apart as an incredible literary talent
*BookList*
Kawakami is a writer who doesn’t shy away from hard truths and
painful experiences, so Heaven will not be an easy read, but it’s
guaranteed to be a rewarding one
*The Japan Times*
It is difficult to write young voices well: easy to forget how
smart teenagers are, or to portray them in terms of what adults
might wish for them. Mieko Kawakami, however, is adept at
understanding their perspective and capturing the despair and
intractability of those difficult years . . . As with Kawakami's
previously translated work, Breasts and Eggs, this is an adroit
novel of real feeling and insight from a writer who wants her
readers to think for themselves
*Irish Times*
Mesmerizing . . . Kawakami is a master of the interior voice. There
is something about her prose that is so immediate and pressing it
blocks out the future almost as if it were a threatening force. We
are forced to deal with her characters as they are living now:
alone, vulnerable, and unprotected
*World Literature Today*
These raw and realistic portrayals of bullying are counterbalanced
by textured exposition of the philosophical and religious debates
concerning violence to which the weak are subjected
*Paperback Paris*
Moving and intelligent. Kawakami gives us characters who speak to
the heart and illustrate in one form or another the dilemma facing
everyone in adolescence. Hopeful yet chilling in equal measures
*American Booksellers Association*
Heaven takes on the issue of bullying, and why a victim might
choose not to fight back. Two teenagers bond over their torment,
and their passive response reveals many kinds of societal
injustice
*Washington Post*
This sharp new novel from Mieko Kawakami [is] a sucker-punch of a
story that implores you to question even your own morality
*Cosmopolitan*
With grace and clarity, Kawakami explores destructive nature of
adolescent violence, and the power of empathetic friendships
*The Millions*
How can a relationship really last when its foundation is built on
shared experiences of humiliation? The author moves toward an
answer in this quietly devastating tale of middle school drama
*TIME*
If you enjoyed Mieko Kawakami’s brilliant Breasts and Eggs, you’re
certain to be astonished by her latest novel exploring violence and
bullying with fierce, feminist and damning candor
*Ms. Magazine*
While Kawakami refuses to give us answers, the elegance and care
with which she describes her characters’ lives invite the reader to
ask such questions of themselves. This is not a cruel story, but
rather one that understands hurt and pain for what it is:
universal, unjust and material for new life
*BookPage*
Mieko Kawakami is the reigning queen of contemporary Japanese
literature for good reason
*Japan Times*
Kawakami is taking the reader by the hand and guiding us through
someone’s small, interior life as a method of contemplating
wide-ranging, universal issues such as the body, ethics, and
meaning
*Bad Form Review*
A poignant and unsettling look at what makes a friendship and, on a
macro level, what makes an unequal society. Kawakami’s writing is
meticulous and assured, and Heaven leaves a bruise
*The Skinny*
Exceptional
*White Review 'Books of the Year'*
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