A powerful and deeply affecting graphic memoir that explores identity, guilt and the meaning of home for a postwar German.
Nora Krug is a German-American author, illustrator and associate professor in the Illustration Program at the Parsons School of Design in New York City. Her drawings and visual narratives have appeared in publications including The New York Times, the Guardian and le Monde Diplomatique, and in a number of anthologies. A recipient of numerous prestigious fellowships, her books are included in the Library of Congress and the Rare Book and Manuscript Library at Columbia University. Her illustrations have been recognized with three gold medals from the Society of Illustrators and a Silver Cube from the New York Art Directors Club. Krug's work has been exhibited internationally, and her animations shown at the Sundance Film Festival.
Krug's new visual memoir is a mazy and ingenious reckoning with the
past . . . She is a tenacious investigator, ferreting out stories
from the wispiest hints - a rumor or a mysterious photograph.
*The New York Times*
Extraordinary . . . The curious appeal of Krug's graphic memoir is
that it never fully loses itself in the act of storytelling but
constantly stops to turn over and reassess the means at its
disposal.
*The Guardian*
Remarkable
*The Observer*
Bracing honesty ... the informal feel and arresting candor of a
diary
*New Yorker*
One of the greatest books of the year.
*Anne-Dore Krohn, literary critic at RBB Kulturradio*
As Krug wrestles on the page with the evasions and hard truths she
encounters, and uses her illustrations to imagine difficult
historical scenarios, she distils pain, hurt, confusion, empathy
and ultimately peace into a powerful visual narrative.
*The Times*
A spectacular debut . . . enormously clever
*Denis Scheck, German literary critic*
A highly original and powerful graphic novel that works on many
levels...an unflinching examination of what we mean when we think
of identity, of history and home. The result is a book that is as
informative as a history and as touching as a novel.
*The Financial Times*
[Krug] is a tenacious investigator, ferreting out stories from the
wispiest hints - a rumor or a mysterious photograph. . . . What
Krug pursues is a better quality of guilt, a way of confronting the
past without paralysis.
*The New York Times, 'Top Books of 2018'*
I was hugely taken by Nora Krug's Heimat, a beautifully produced
and thoughtful piece of family history by a second generation
German immigrant to the US.
*The Spectator*
Ask a Question About this Product More... |