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Introduction 1. Structure, Event and Liminal Practices in Recent Hindi Films 2. Imagining the Past in the Present: Violence, Gender, and Citizenship in Hindi Films 3. The Man Formerly Known as the Actor: When Shah Rukh Khan Reappeared as Himself 4. Romancing Religion: Bollywood's Painless Globalization 5. Love Triangles at Home and Abroad: Male Embodiment as Queer Enactment
Nandini Bhattacharya is Professor of English and affiliate of Film, Women's Studies and Africana Studies programs at Texas A&M University, USA. Her interests include South Asia, Postcoloniality, Cinema, Gender and Transnationalism.