A literary psychological thriller about the 'perfect' marriage.
Emma Chapman was born in 1985 and grew up in Manchester. She studied English Literature at Edinburgh University, followed by a Masters in Creative Writing at Royal Holloway, University of London. After university, she travelled in Scandinavia, which inspired the setting for How To Be a Good Wife.
‘On the surface the book is a highly competent, creepy little
chiller, but beneath, like a silent, bolted and half-dark room,
there’s a much bigger, equally disconcerting story about the nature
of feminine experience.' Hilary Mantel, Man Booker Prize winning
author of Wolf Hall
‘Taut, elegant and pitch-perfect. As soon as you've read it you'll
want to talk about it’. Evie Wyld, author of After the Fire, A
Still Small Voice
‘Compelling, edgy and dark – I read How To Be a Good Wife in one
sitting’. Jane Rusbridge, author of Rook and The Devil's Music
‘An impressive debut novel. Here’s hoping there’ll be more from
Emma Chapman’ M. J. Hyland, Man Booker prize shortlisted author of
Carry Me Down and This is How
‘A tense, unnerving debut, told with precision and control. As
unsettling as any ghost story’ Simon Lelic, author of Rupture and
The Child Who
‘A compelling debut: tightly plotted, tensely written, and subtle
in its explorations of motive. Emma Chapman is very accomplished
and a bright hope for the future’. Sir Andrew Motion
‘Claustrophobic, startling and hauntingly beautiful. It’s that
amazing, awful kind of book that will stay with you long after you
wish it would let you go’ Liza Klaussmann, author of Tigers in Red
Weather
‘This taut debut will have you rooting for Marta as she rediscovers
who she was before her marriage. A must-read for fans of
S.J.Watson’. Easy Living
‘The after-effects of the dark and uncomfortable story linger long
after the last page . . . a gripping piece of writing where
everything is not quite as it seems’. Psychologies
‘An intensifying mood of menace pervades this mesmerising debut. Is
the fragile Marta slipping into paranoia? Or glimpsing agonising
insights into a devastating nightmare about herself and her
“perfect” marriage…?’ David Hewson, author of The Killing
‘A compelling, twisty tale of deception and distrust. Beautifully
written, and very clever indeed’. Elizabeth Haynes, author of Into
the Darkest Corner
‘Fans of Before I Go To Sleep will love this chilling debut from
Emma Chapman’. Grazia
‘In her first novel, Emma Chapman has managed to walk a delicate,
terrifying line. How To Be a Good Wife is at once claustrophobic,
startling and hauntingly beautiful. It’s that amazing, awful kind
of book that will stay with you long after you wish it would let
you go’. Liza Klaussmann, author of Tigers in Red Weather
‘A chilling study of paranoia and doubt… Chapman builds the
tension, as Marta’s behaviour becomes more erratic and her
seemingly benign husband begins to appear in a sinister light. An
unnerving tale, where nothing is as it seems.’ Marie Claire
‘Compelling and complex, this brave novel offers no safety nets…
Not just a gripping read but an essential one. It will provoke
questions long after the cover is closed’. Ruth Dugdall, author of
The Woman Before Me, winner of the CWA debut dagger award.
‘Chilling and original with plenty of tense moments to keep the
pages turning'. Simple Things
‘Mesmerising. A beautiful and disturbing novel. I loved it’.
Susanna Jones, author of When Nights Were Cold
‘There is something about the pared-down prose, the increasingly
ominous isolation and the sense of unease that our narrator feels
that saves the story from melodrama – instead the reader, trapped
with a sympathetic yet unreliable narrator, begins to align
themselves ever more closely to Marta’s position. This is a
tremendous book’. The Huffington Post
‘Chapman mines this vein of claustrophobic creepiness to great
effect’. The Lady
‘Wonderfully assured… This is a tale of the tricks repression,
denial and memory can play on us… Set in an eerie, purposefully
undefined part of Scandinavia, this is an unnerving, clever read.
It’s one of those novels (think Gone Girl) with a big twist.
Recommended for fans of S J Watson, Rosamund Lupton and Zoe
Heller’. Viv Groskop, Red
‘A powerful, original and haunting debut… hard to put down and
impossible to forget.’Daily Examiner, Australia
‘Something of the hit TV drama The Killing pervades this absorbing
and multi-layered debut novel. On one level a chilling tale of
suspense among the Norwegian fjords, it offers the reader so much
more… You might like to set aside a long winter afternoon for this
one. The chances are that one you open it, you’ll want to finish it
all in one go.' Daily Mail
‘Chapman’s debut can be read both as a taut thriller and an
allegory of the female experience in an unhappy marriage, the
waning sense of self felt by the woman who attends to the needs of
her family before her own… Marta’s gradual slide into madness is
brilliantly convincing. As with Sylvia Plath’s The Bell Jar, the
narrator’s psychological torment contrasts disconcertingly with the
detached language in which it is described. It makes for a darkly
fascinating debut’ Financial Times
‘So tense. Brilliantly written and utterly gripping. I loved it.’
Hannah Richell, author of Secrets of the Tides
‘It is, on the one hand, a taut, economically written and expertly
woven thriller – deceptive in its simplicity and chilling in the
claustrophobia that builds with each successive page. It is also a
deeply unsettling exploration of a fragile mind unravelling, either
through the weight of its own paranoid delusions or painful
memories too-long suppressed… How To Be a Good Wife is a highly
assured, powerful and thought-provoking offering from an author
whose best work is surely yet to come. It will stay with you long
after you turn the final page.’ Style etc magazine
‘An impressive debut’ Sun-Herald, Sydney
‘Chapman’s carefully constructed plot slowly but expertly builds
the tension…Chapman’s writing is so assured it is difficult to
believe this is her first novel… How To Be A Good Wife is not just
enthralling fiction, but also social commentary, a combination that
provokes the reader to reflect on the fraught and complicated
nature of human existence. Chapman has written a book as chilling
as a Scandinavian fjord in winter, but also as clear, clean and
compelling’The Australian
‘Replete with interesting topics and there are twists aplenty.
Marta’s voice is compelling and convincing and the prose often
Hemingway-esque in style… There’s a narrative bravery to this debut
that is rare in contemporary fiction of any genre’ The Big Issue
Australia
‘The unnamed Scandinavian setting has all the familiar elements of
contemporary northern lights noir, yet its claustrophobic,
interior-driven narrative harks back to Charlotte Perkins Gilman’s
disturbing feminist classic The Yellow Wallpaper, or even Ibsen's A
Doll's House… The novel is Chapman's debut, and is eerily
well-handled... Chapman shows real empathy for loneliness and the
cruelty of ageing… A plausible tale of trauma, a ruthless
examination of the many layers of marriage, and a woman's opaque
role with it.’ Guardian
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