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How to Build a Human
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About the Author

Philip Ball is widely recognised as a leading communicator of the relationships between science and the wider culture. For example, his book The Music Instinct (2010), a survey of the cognitive understanding of music, became a bestseller and was longlisted for the Samuel Johnson Prize for nonfiction. Philip's most recent book, The Water Kingdom (2016), was selected as a Book of the Year by the Times and the Economist. He received the Editorial Intelligence Comment Award for Best Science Commentator in 2015 and again in 2017.
Philip writes regularly on all areas of science in both popular and technical outlets. For many years he was an editor for Nature, to which he still contributes regularly. He has featured on many national and international radio and television programmes, and he is a presenter of the science history series Science Stories on BBC Radio 4.

Reviews

Praise for How to Grow a Human
'This is a deeply engaging crash course. Ball's description of cellular organelles and their functions, in particular, is an impressive feat. And his sense of wonder at biological processes is palpable: passages on the intricacies of cell plasticity had me (with my doctorate in molecular biology) exclaiming, "That is incredible!"'
Nature

'Philip Ball weaves a compelling story of bodily creation ... Highly readable and impeccably informed by research, How to Grow a Human revels in scientific possibility and confronts the social and ethical implications, while intelligently acknowledging what is as yet unknown' The Lancet

'[This] winding romp through advances in cell biology pushes readers to ponder the boundaries of life ... The book offers a provocative, meandering take on the progression of groundbreaking biotechnological capabilities ... absorbing ambitious and expansive ... Ball's look at the state of human-facing cutting edge bioscience is a thought-provoking read' Science

Praise for Philip Ball
'Ball's book towers above the competition with its erudition, balance, and attention to detail... This is the most accessible, comprehensive, and provocative investigation of the science of music - and its limits - yet to be written.'
Globe and Mail

'Excellent, smartly written'
Financial Times

'Ball is an exceptionally talented writer who manages to combine accessibility and thoroughness in razor-sharp prose' Physics World

'Lucid and impressive'
Prospect

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