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Huston, We Have a Problem


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Table of Contents

Part 0 Foreword Part 1 Foreword Part 2 In Others' Words Part 2 Acknowledgments Part 3 Part 1. APPRENTICE AND LEADER Chapter 4 1. A Crowded House Chapter 5 2. Delirium of the Air: Wartime Service in the RAF Chapter 6 3. A Safe Landing Part 7 Part 2. THE DIRECTORS Chapter 8 4. "I'll Be Behind You": Ronnie Neame, including Connie Chapter 9 5. "How's My Boy?": John Huston Chapter 10 6. "Here's the Thing": Sir Carol Reed Lee Chapter 11 7. The American Connection: Sidney Lumet Chapter 12 8. In Clement Weather: Rene Clement & Tony Richardson Part 13 Part 3. A FAREWELL TO SELZNICK Chapter 14 9. The Os-DOS files Part 15 Part 4. HEADLINERS & BLOCKBUSTERS Chapter 16 10. Marking Time in Greece: The Guns of Navarone (1960) Chapter 17 11. Kubrick's Secret World: Lolita (1960) Chapter 18 12. Behind the Iron Curtain: The Spy Who Came in From the Cold (1965) Chapter 19 13. The Glittering Burtons: The Taming of the Shrew (1966) Chapter 20 14. 'Chips' With Everything: Goodbye Mr. Chips (1969) Chapter 21 15. An Oscar For All Seasons: Fiddler On The Roof (1970) Chapter 22 16. Piggy In The Middle: The Jim Henson Legacy Part 23 Afterword Part 24 Appendix A: Honours and Awards Part 25 Appendix B: Credits Part 26 Acknowledgments Part 27 Index Part 28 About the Authors

About the Author

Oswald Morris was Director of Photography on nearly 60 films, including Sleuth, Oliver! and The Wiz, the latter two of which earned him Academy Award (R) nominations. In 1972 he won the Oscar (R) for Best Cinematography for his work on Fiddler on the Roof. In 1998, he was awarded the OBE for "services to cinematography and the film industry." Geoffrey Bull is a freelance writer with 20 years of experience on several UK newspapers and specializes in writing about film, books, and the theater.


This is a great read, written in a witty and 'can't put down' style....Congratulations to Ossie, Geoffrey Bull and all concerned for producing a fine book. * Image Technology *
Here's a bit of good news. Oswald Morris has written his memoirs. Who's he? You almost surely don't know, but in this case, that's a good thing. He's one of that legion of film personnel who have contributed to some of the best films of the past 50 years but almost never bothered to pass along their recollections before going out of this world forever. Film history just got a little richer. * The Big Reel *

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